On a mountainside, a Spanish water worker discovers antique gold necklaces

In northwest Spain, two gold necklaces that date back to almost 2,500 years ago were stumbled upon by a worker for the local water company.

On August 29, Sergio Marciandi was at work near Cavandi, Asturias, when he discovered a gold necklace hidden among some rocks.

He informed University of Cantabria prehistoric archeology professor Pablo Arias, who told CNN about the discovery.

When Arias and specialists from the Asturias Archaeological Museum arrived at the location and conducted a preliminary inspection, they discovered a second necklace that had been split up into multiple parts, according to Arias.

"It's really impressive," Arias exclaimed, adding that the discovery might improve our knowledge of the Iron Age, the time frame in which they were created.

Although there have been other discoveries of gold necklaces from the Iron Age, most of them were made in the 18th and 19th centuries, a time when archeological techniques were more limited and much of the knowledge about their source was lost, according to Arias.

He continued: in this instance, the site is still in situ, which helps archaeologists understand its context much better.

“We have very precise information about where they were found,” said Arias. “It’s quite exceptional.”

According to him, the discovery opens up a wide range of prospective research areas and may shed new light on a time period that is now little understood.

Archaeologists are excited about what further study of the necklaces could reveal.

Right now, the necklaces exhibit wear in places where they would have come into contact with the wearer's skin and clothing.

“We know that they were used,” mentioned Arias.

He continued, saying that this type of necklace belonged to the top classes of society and that not everyone could buy one.

Although it is impossible to date the items, Arias thinks they are unlikely to be older than 2,500 years.

In a statement released on Sunday, the Asturian regional government praised Marciandi for immediately informing authorities of the discovery and hailed it as “an extraordinary development considering their quality and the skill of the artisans that made them, and most of all for opening a window to the study and knowledge of the most emblematic type of jewelry of Iron Age gold work, which until now had been closed.”

Source: https://edition.cnn.com/style/article/spai...

'I am horrified': Archaeologists are outraged over ancient human ancestor bones that were sent to the edge of space

The Virgin Galactic expedition that brought the remains of Australopithecus sediba and Homo naledi to the edge of space is being criticized by scientists as a serious ethical lapse.

The fossilized bones of the ancient human relatives Australopithecus sediba and Homo naledi went to the edge of space in this tube. (Image credit: Future)

Scientists are upset that ancient human ancestors' fossilized remains have for the first time traveled to the edge of space.

On September 8, fragments of two extinct human ancestors, Australopithecus sediba and Homo naledi, were transported on a Virgin Galactic voyage. The fossils were launched to the edge of space by millionaire Timothy Nash, who was born in South Africa, from Spaceport America in New Mexico.

Lee Berger, the head of the Centre for the Exploration of the Deep Human Journey at the University of the Witwatersrand in South Africa and an explorer in residence with the National Geographic Society who played a key role in the discovery of both species, made the selection of the fossils. A thumb bone from H. naledi, the still-mysterious 300,000-year-old hominin discovered in the Rising Star cave in 2013 by a team of researchers Berger dubbed "Underground Astronauts," and a fragment of the collarbone of the 2 million-year-old A. sediba were both chosen for the expedition.

In a statement, Lee Berger said that "the journey of these fossils into space represents humankind's appreciation of the contribution of all of humanity's ancestors and our ancient relatives," while Matthew Berger opined that these hominins "never could have dreamed while alive of taking such an incredible journey as ambassadors of all of humankind's ancestors." Lee Berger had not responded to a request for comment by the time of publication.

Anthropologists and others have criticized the space travel for a variety of reasons, including the fact that these extinct creatures would not have understood their journey into the upper atmosphere.

Alessio Veneziano, a biological anthropologist and co-organizer of the AHEAD conference (Advances in Human Evolution, Adaptation, and Diversity), succinctly summarized the four main topics that have been explored in a discussion on X (previously Twitter): 1) The absence of a scientific rationale for the flight; 2) The moral dilemmas associated with treating our ancestors with respect; 3) Berger's access to the fossils, which few other researchers have; and 4) The distortion of palaeoanthropology as a field of study.

The remains of Homo naledi, whose thumb bone was sent to the edge of space on Sept. 8, 2023, in a Virgin Galactic craft. (Image credit: Stefan Heunis / Stringer / Getty Images)

It has been harshly criticized since the fossils' trip into space had no discernible scientific goal, especially considering that a mission malfunction may have destroyed the irreplaceable specimens. Berger's initial application for a permit, which was ultimately granted by the South African Heritage Resources Agency (SAHRA), stated that the mission's purpose was to advance science and draw attention to South Africa's work on human origins rather than to address any specific scientific issues.

According to Justin Walsh, a professor of art and archaeology at Chapman University in California, the impacts of spaceflight on cultural artifacts "hasn't been an area of scientific study. Space archaeologists like me are definitely interested in the effect of the space environment on items in space," he said, "but I don't think we'd use a piece of heritage from here on Earth as a test article to see what happens to it."

Sonia Zakrzewski, a bioarchaeologist at the University of Southampton in the U.K., remarked in an X thread, "I am horrified that they were granted a permit," adding that she would use it as an example in her students regarding unethical methods. This "is NOT science".

Zakrzewski's worries about the morality of the flight were shared by Walsh. We owe the petrified bones respect since they are not merely scientific objects but also the remains of our common ancestors, according to Walsh. However, it appears that the fossils were classified as paleontological remains rather than human remains for the sake of the permission, avoiding moral and legal dilemmas. This speaks to the larger, continuing scientific debate about what constitutes a "human" being.

According to Rachel King, an associate professor of cultural heritage studies at University College London, "As a sovereign state, South Africa can manage its national estate as it sees fit, including shooting part of that estate into space like the US, Russia, Denmark, and others all have," she told Live Science in an email. However, she emphasized that "the fact that it happened through what looks like a standard compliance procedure should make everyone think about potential wider consequences," including upcoming events that could endanger archaeological property.

The fossilized remains of Australopithecus sediba, whose clavicle rocketed to the edge of space in a Virgin Galactic spaceship on Sept. 8, 2023. (Image credit: Alexander Joe / Staff / Getty Images)

A crucial component of Berger's permit application is the supporting documentation, which he used to demonstrate why the fossils were chosen and reduce the likelihood that they would be lost because they have been "extensively studied" and "published many times." But aside from Homo naledi, there aren't many fossil hominin casts that can be studied and viewed by the general public. This is frequently due to a lack of financial and material resources in the nations where these casts were discovered. The entitlement and privilege made apparent by the flight is the final significant criticism of the space flight of the fossils.

Nash, whose father John amassed a fortune in aviation, brought the fossils aboard Virgin Galactic. Nash was among the first customers to purchase a ticket for Richard Branson's Virgin Galactic spacecraft's second commercial trip. In addition, Nash has known Lee Berger for more than ten years and he owns the majority of the so-called Cradle of Humankind, including the area where the Bergers found A. sediba, which he plans to turn into a "paleotourism" business.

Although the majority of paleoanthropological scholars do not have Berger's access to land and fossils, the issue still exists in many people's views because Berger misrepresented what these researchers truly do.

"This is an unusual activity for ancient fossils," Walsh said, with "no sign that Berger was interested in performing science and answering that question [on the effects of spaceflight] by flying the fossils." Walsh would have preferred more open discussion about the mission, including greater details about the advantages and disadvantages, prior to the flight, in conformity with accepted scientific practice.

"We should ask: Can the University of the Witwatersrand and Lee Berger be trusted to care for these fossils going forward, if this is what they think is an appropriate thing to do with them?" Walsh said.

Source: https://www.space.com/archaeologists-fumin...

Central China's water system from the early Shang Dynasty has been unearthed.

In the Henan Province of central China, a water system that dates back more than 3,600 years has been uncovered. This discovery will help people comprehend how the old city was laid out.

This photo taken on March 23, 2023 shows a ditch of the water system in the ruins of a city from the Shang Dynasty (1600-1046 B.C.) in Zhengzhou, capital of central China's Henan Province.

A water system from more than 3,600 years ago has been discovered in central China's Henan Province. This find will improve people's understanding of the city layout back then. (Henan Provincial Institute of Cultural Heritage and Archaeology/Handout via Xinhua)

In the ruins of a city from the Shang Dynasty (1600–1046 B.C.) in Zhengzhou, the capital of Henan, three ditch sections were discovered. Together, these parts make up the greatest water infrastructure from the Shang Dynasty's early years that has been uncovered thus far.

One of the portions was constructed on a real river channel, while the other two were wholly artificial, according to local archaeologists. The ditches were discovered to be around 540 meters long, 12 meters wide at their widest point, and four meters deep at their lowest point.

"Based on our study of spatial positions and cultural relics recovered from the ditches, we believe that they were interconnected and belonged to a large water system, which demonstrated the grandeur of a Shang capital," mentioned Yang Wensheng, vice director of the Henan Provincial Institute of Cultural Heritage and Archaeology.

About 25 square kilometers of the city were in ruins, and it is thought that Tang, the first emperor of the Shang Dynasty, established the city as the Shang capital.

Archaeologists discovered stone water diversion facilities and fake open channels in one of the ditch sections, proving that the water system had a complicated functional design as early as the Shang Dynasty. Additionally, remnants of handicraft facilities for casting copper and creating bone things were discovered.

In the northern areas of the city, the ditches were linked to ponds and gardens, indicating that water from the system provided not only the city's industry and life but also its beautification.

"Discovery of this water system enhanced our understanding of the layout of the ancient city, which is of significance for in-depth study of city planning and functional zones division in the early Shang Dynasty capital," said Yang Shugang of the Henan Provincial Institute of Cultural Heritage and Archaeology.

Source: https://english.news.cn/20230913/dd457412f...

During excavations in Kent, a Roman statue of the Greek sea god Triton was uncovered

Archaeological excavations at Teynham, Kent, have uncovered a Roman figure of Triton, a Greek sea god.

The Triton statue has been carefully lifted and removed from the site for initial conservation works.

The location was discovered while conducting research for a brand-new housing development next to the A2 London Road, which parallels the historic Roman Watling Street.

For early conservation treatment, the Triton statue was gently raised and removed from the area, exposing the piece's intricate design.

The statue itself and the circumstances surrounding its ritual burial are still being studied further.

Dr Richard Hobbs, Senior Curator of Roman Britain, The British Museum mentioned: "This is a really stunning piece of sculpture, undoubtedly of great significance to our understanding of Roman Britain and its place in the wider Roman Empire.

"It shows a Triton – half man, half fish – riding a sea monster. Although a few other fragments of similar sculptures are known from Roman Britain, nothing quite like this has been discovered before."

The archaeological investigation works commenced late May 2023.

Roman cremation remains and pieces of a chalk wall foundation were identified during the initial site assessment.

Due to this, Swale Council mandated a 0.5 hectare archaeological excavation at the site with the help of Kent County Council Heritage Conservation.

A 7m square structure was surrounded by a walled enclosure that measured 30m square.

Additional excavation work showed the building was formerly a Roman mausoleum, and one of its artifacts was a Roman coin from between 320 and 330 AD.

Roman and maybe later graves with diverse grave items were also present at the site.

Further research into the statue itself and the circumstances of its ritual burial are ongoing.

Canterbury Archaeological Trust (CAT), who were chosen to lead the inquiry, started working on the archaeological investigation in late May 2023.

The intention is to carefully bury and preserve these important relics within the roundabout's manicured center, preserving access to them for future generations.

Robert Masefield, Archaeology Director for RPS the project archaeological consultant confirmed: "We expected interesting Roman archaeology, perhaps a cemetery, but the finds including the lively and unique statue of a Triton and the mausoleum remains have by far exceeded that. These finds are now part of Teynham’s local legacy and the nations rich Roman story. Further study will place the findings in their full historical context."

"This area of North Kent, where the main Roman road travelled close to the many inlets off the Swale is particularly rich in in Roman remains taking advantage of the sea and road connections. The Roman mausoleum is the latest spectacular discovery in Swale and is itself an outstanding and significant find which will add considerably to our understanding of the Roman landscape in this region. I am fortunate in my work to regularly see many remarkable archaeological discoveries in Kent, however seeing the uncovering of the Triton statue was a very special moment indeed. It will be fascinating to follow the research into the statue and find out more about the ritual burial of it", said Simon Mason, Principal Archaeological Officer, Kent County Council.

Source: https://www.itv.com/news/meridian/2023-09-...

What Happened to the Vikings?

Welcome to our captivating video exploring the intriguing history of the Vikings and their legendary expeditions across Europe and beyond. In this informative presentation, we delve into the world of the Vikings, their culture, exploration, and their reputation as fierce raiders. Join us on a journey through time as we uncover the fascinating tales of these seafaring warriors.

Discover who the Vikings were, their origins, and the society they built. Gain insights into their advanced shipbuilding techniques, navigational skills, and the fearless spirit that drove them to explore uncharted territories. Explore their far-reaching expeditions, trading routes, and the impact they had on the regions they encountered.

Join us as we unravel the mysteries and stories of the Vikings, shedding light on their exploration, raiding, and their enduring impact on history.

The Animated History of Argentina

The huge Rio de la Plata, the wild open Patagonia, and the high peaks of the Andes.. In the following video we will be exploring the land of Silver, Argentina! Enjoy!

How Did Ancient Rome Begin?

Today’s video covers the origins of Rome, from a small Latin settlement, to the Roman Kingdom under its Seven Legendary Kings. It then goes through the early Roman Republic until the Sack of Rome and its rebirth in the early 300s BCE.

The Roman Kingdom (also referred to as the Roman monarchy, or the regal period of ancient Rome) was the earliest period of Roman history when the city and its territory were ruled by kings. According to oral accounts, the Roman Kingdom began with the city's founding c. 753 BC, with settlements around the Palatine Hill along the river Tiber in central Italy, and ended with the overthrow of the kings and the establishment of the Republic c. 509 BC.

The Roman Republic was a state of the classical Roman civilization, run through public representation of the Roman people. Beginning with the overthrow of the Roman Kingdom (traditionally dated to 509 BC) and ending in 27 BC with the establishment of the Roman Empire, Rome's control rapidly expanded during this period—from the city's immediate surroundings to hegemony over the entire Mediterranean world.

Roman society under the Republic was primarily a cultural mix of Latin and Etruscan societies, as well as of Sabine, Oscan, and Greek cultural elements, which is especially visible in the Roman Pantheon. Its political organization developed, at around the same time as direct democracy in Ancient Greece, with collective and annual magistracies, overseen by a senate. The top magistrates were the two consuls, who had an extensive range of executive, legislative, judicial, military, and religious powers. Even though a small number of powerful families (called gentes) monopolised the main magistracies, the Roman Republic is generally considered one of the earliest examples of representative democracy. Roman institutions underwent considerable changes throughout the Republic to adapt to the difficulties it faced, such as the creation of promagistracies to rule its conquered provinces, or the composition of the senate.

Unlike the Pax Romana of the Roman Empire, the Republic was in a state of quasi-perpetual war throughout its existence. Its first enemies were its Latin and Etruscan neighbours as well as the Gauls, who even sacked the city in 387 BC. The Republic nonetheless demonstrated extreme resilience and always managed to overcome its losses, however catastrophic.

Little is certain about the kingdom's history as no records and few inscriptions from the time of the kings survive. The accounts of this period written during the Republic and the Empire are thought largely to be based on oral tradition.

Disgusting Things That Was Normal in Ancient Rome

We all know that the Roman Empire lasted many years and is one of the significant examples of the rise and fall of a civilization throughout human history. And while it's fascinating to learn about epic Roman emperors like Caligula or Commodus, in reality, living in the time of their reigns was probably not good at all.

Today you will get to know what daily reality was like in Ancient Rome. Enjoy!

Human Sacrifice in Ancient Greece and Rome

Although the ancient Greeks and Romans believed that human sacrifice was barbaric, they occasionally practiced it themselves. Watch the video for more!

The oldest shipboard cannon in Europe may have been discovered off the coast of Sweden

What may be Europe's earliest shipboard cannon has been researched by an international research team under the direction of maritime archaeologist Staffan von Arbin of the University of Gothenburg. The 14th-century cannon was discovered in the water near Marstrand on Sweden's west coast.

The Marstrand Cannon – a unique 14th century shipboard cannon.

The results of the interdisciplinary study add to our understanding of the early development of artillery on land and at sea, but they also shed light on a trying time for mariners and coastal residents.

The small, muzzle-loading cast copper-alloy cannon was discovered by a recreational diver off the coast of Marstrand at a depth of 20 meters. It is thought to have been recovered from a shipwreck. Because it still had some of a charge in its powder chamber when it was discovered, the researchers believe that the cannon is one that was mounted on a ship rather than one that was being transported as cargo. This indicates that when the cannon landed up on the ocean floor, it was loaded and prepared for use in battle.

“Thanks to the preserved remains of the charge, it has been possible to use radiocarbon dating to establish the age of the find,” says Staffan von Arbin, maritime archaeologist at the University of Gothenburg.

“The study’s findings show that the Marstrand cannon is probably from the 14th century, making it one of the oldest artillery pieces ever found in Europe.”

An examination of the metal's chemistry

The item was 3D scanned by the researchers, who also chemically analyzed the metal that was utilized to cast the cannon. According to the examination, it was a copper alloy with just trace levels of tin and around 14% weight lead.

According to the experts, this alloy is far from ideal for casting cannon, and it is possible that the cannon would have broken and been useless if used heavily for a longer period of time.

“Clearly, the person who cast the cannon did not have the necessary knowledge and understanding of the properties of various copper alloys,” says Staffan von Arbin.

“This shows that the noble art of cannon casting had not yet been fully mastered at that time, and that production was largely based on trial and error.”

The investigation also shows that the lead most likely came from England or the area along the borders of Poland and the Czech Republic, while the copper ore used to make the cannon was mined in modern-day Slovakia.

The researchers report the findings of their investigations in this interdisciplinary study, which was published in the English maritime history magazine The Mariner's Mirror. They also discuss the discovery in light of historical, iconographic, and archaeological sources. The town of Marstrand, renowned for its superior harbor, served as a crucial commercial shipping hub between Western Europe and the Baltic Sea region in the fourteenth century. However, the sea served as a battlefield and a battleground, and civilian communities along the coast were frequently severely impacted. Additionally, there was always a possibility of pirate raids.

Which vessel did the gun belong to?

The novel rifle designs created at this period offered significant tactical benefits in naval warfare. The late Middle Ages saw the introduction of cannons aboard merchant ships as a means of self-defense against pirates and other hostile ships, so it wasn't just warships that were armed. The investigation of the Marstrand cannon offers fresh insights and viewpoints on the evolution of this military technology.

The Marstrand cannon type's funnel-shaped cannons are typically dated to the 15th and 16th centuries, however this discovery proves that the model was already in use in the 14th century. The cannon's powder chamber's well-preserved remnants of the charge also demonstrate that cartouches, a type of textile packing for the powder charge, were used considerably earlier than previously thought.

“Now, of course, we also want to try to locate and document the ship that the cannon belonged to. Although it is probably severely degraded and broken up, it should be possible to find scattered remains of the wreck if we conduct a thorough inventory of the site and its surroundings,” mentions Staffan von Arbin.

Source: https://www.gu.se/en/news/shipboard-cannon...

Papua New Guinean body adornment practices

The majority of us may choose to wear jewelry or other adornments because we like them, believe they look nice on us, or because a loved one donated them to us, but the people of Papua New Guinea have an entirely different perspective.

Rimbu. Bilas Exhibition at the Australian Museum. Image credit: Wylda Bayrón

Since the beginning of time, people have worn objects as talismans, status symbols, or to stand out from the crowd. stones, feathers, shells, and bones. gemstones, fabrics, and metals. Consider the numerous exquisite artifacts created by the ancient Egyptians, Romans, and Greeks and discovered during excavations at important sites and in the tombs of emperors and other powerful people. The wearing of these ornaments served as a type of language and communication that stated who the wearer was and where they were from. Papua New Guinea serves as the ideal illustration of this.

In Papua New Guinea, the practice of body modification is referred to as bilas. Bilas, which derives from the pidgin language Tok Pisin, honors how interconnected all living things and people are. Since ancient times, adornments have served to meet many social, spiritual, and physical demands. Some are used to symbolize authority or position, while others are used in cultural festivities and rites. They are made from a variety of natural resources, including shells, feathers, and plant fibers.

The Australian Museum's newest exhibit, Bilas: Body Adornment from Papua New Guinea, features a stunning collection of Wylda Bayrón photographs as well as items from its renowned Pacific cultural collections to highlight the beauty and diversity of body adornment and decoration from Papua New Guinea. The exhibition will examine the various meanings and interpretations of bilas as a practice from various cultural backgrounds, highlighting how closely connected PNG people are to their natural surroundings.

The stunning exhibition featuring photographs by Wylda Bayrón and a selection of objects from the world-renowned Pacific cultural collections of the Australian Museum. Image credit: Anna Kucera

An avid photographer

Wylda Bayrón, a Puerto Rican photographer working in the US, created 60 stunning images for the book Bilas: Body Adornment from Papua New Guinea. For her work behind the scenes on TV shows like Orange is the New Black, Billions, Madam Secretary, and most recently, And Just Like That, this multi-talented photographer is well recognized. But Bayrón's interest is far from a television, in places where culture and customs are still alive and well. Such a site exists in Papua New Guinea.

Papua New Guinea has been a destination for Bayrón on multiple occasions; her first visit (in 2013) turned into an 18-month adventure as she sought to photograph every community in the country's 22 regions. She even picked up pidgin so she could speak. Since then, Bayrón has returned numerous times. Her voyage into the heart of a nation, where communities welcomed her and shared their culture, led to the creation of the pictures that are on display in this exhibition at the Australian Museum.

“The peoples of Papua New Guinea are the curators of these images, and it is their cultures, traditions and customs that are being shared. These photographs document what I could not have when I was growing up – a photographic history of identity,” Bayrón said.

Images may truly tell a story when viewed through Bayrón's lens—a story of cultural continuity, resiliency, adaptability, and regeneration.

Defarim (headdress), Sanduan, Telefomin and Toea Armlet Milne Bay. Image credits: Australian Museum.

The presentation

Visitors to the Australian Museum can see the complex beauty and diversity of cultural decoration and body ornamentation from the many peoples in Papua New Guinea through the exhibit Bilas: Body ornamentation from Papua New Guinea.

The exhibition was created and curated by the Museum's Pasifika team, who worked with local communities and experts from the region. It includes Bayrón's arresting photographs as well as rare, never-before-exhibited cultural objects from the Museum's collection, which is one of the most significant in the world with over 60,000 objects from across the region.

The new items, which were acquired thanks to a gift from the Australian Museum Foundation, include the earliest instances of Enga (human hair) wigs, Kagua area wicker helmets, and Maring/Kalam "Glong" headdresses. The commissioning of these decorations for an Australian institution is a first.

Dr. Michael Mel, one of the exhibition's co-curators and a proud native of Kilipika Village in the Western Highlands, said: “In our culture, the body has long served as a ‘canvas’ for self-expression and to convey a multitude of messages to the outside world. Beyond being a vehicle for social communication and living art, there are also spiritual domains and meanings to the body adornment.”

The images from Bayrón that best represent Bilas are numerous. A Chimbu tribe chief's visage is painted in "Chimbu Roi" using charcoal and broken seashells. His nose piercing and headgear are decorated with bird of paradise feathers.

Additionally, Bayrón describes the image titled "Tumbuna," saying that the youngster would put on the bilas for the first time at dawn. The village chief, his grandfather, meticulously unpacks the feathers he has received from his forefathers and unfolds a tiny tapa (cloth made of bark) that he specifically fashioned for the occasion out of worry that he wouldn't live to see this moment. The youngster exults. He understands that these actions are important because they are passing on centuries-old customs to the next generation.

And that is the main idea of bilas.

Museum visitors admire the impressive headdress from Papua New Guinea. Image credit: Anna Kucera

Through the camera

Australian Geographic was also able to chat with Wylda Bayrón, whose photographs served as the inspiration for the Australian Museum display. We questioned Wylda about her love for PNG and its bilas.

What sparked your interest in photography?

“When I was a focus puller in 2004, I worked on a film in Singapore. I asked production to delay my return for a week as I wanted to visit Malaysia. The week turned into a year and a half travelling through Southeast Asia where I realised my passion for photography and tribal cultures.”

You have worked as a photographer/cinematographer on countless shows and movies. How do you juggle your passion for photography with the demands of film work?

“It’s a tricky balance because I love both parts of my work life and how distinct and different they are. They inform each other so in that sense it’s very rewarding. I try to work on shows that tell stories I love and think are important because each show is an all-consuming affair that can take up to six months of my life. With that money I buy my freedom to travel and invest in my passion for preservation of tribal culture. The cinematography and the photography are each a wing of a bird for me.”

What piqued your interest about Papua New Guinea?

“I’ve always had PNG in mind but the time had not come because I knew I had to go alone and I was in a relationship. I had seen pictures of the huli and a few other highland tribes and I was hooked. Little did I know I’d be spending a decade working with the people there.”

What happened on the first trip that sparked the passion for photographing and learning about the people of PNG?

“Pretty much immediately I was taken in by a family who were able to support me in my desire to capture as many tribes and Bilas as possible. My first “mum” travelled with me to some places initially and introduced me to her Motu family members and friends and that way I was able to use the wankot system to traverse and travel the entire island always having new families take me in and keep me safe. The project was born organically, fuelled by community desire for their own preservation.”

Baining Nature Powa and Chimbu Roi. Image credits: Wylda Bayrón

What resonates most about the peoples of PNG in your heart?

“What resonates most is that belonging to a place is not rooted in where you were born. PNG is my home and the people there are my family no matter what tribe or province they are from. Somehow, we always managed to connect and laugh and do the culture preservation work no matter where I was originally from. Once I learned the language and they knew that I understood them, the life and culture, I was one of them and they didn’t hesitate to accept me. It was always a homecoming even if it was new place. That’s pretty magical and you can’t fake that. PNG and I were written in the stars.”

What does the word bilas mean to you?

“Bilas is identity, community, ancestral knowledge and a core aspect of how we celebrate ourselves and the culture in PNG. The people and I have forged a beautiful bond. Their deep sense of identity and kindness is one of the parts that keep me coming back. It’s the immediate sense of family and community that made the journey so beautiful and I’m forever bonded with the people and the land.”

What is your favourite photo from your beautiful collection now on show at the Australian Museum as part of Bilas: Body Adornment from Papua New Guinea? What is the story behind it (the photo)?

“It’s so hard to identify a sole image as they are each representing a very special place and people. I do love my first photo shoot in the middle Sepik which yielded the image of the three men with a live crocodile around the main man. The first day we tried to shoot it rained and we had to cancel, but the men decided they would get dressed all over again the next day and then take me by canoe several hours north so that I would not miss my flight out as my visa was expiring.”

Source: https://www.australiangeographic.com.au/ne...