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New Study Debunks Long-Held Myth: Early Andean Farmers Thrived, Not Struggled

July 5, 2025

Contrary to the long-standing belief that the shift from foraging to farming was driven by desperation and dwindling food supplies, a new study shows that early agricultural communities in the Andean Altiplano were thriving—and innovating—during this pivotal period in human history.

Published in PLOS One, the research led by Luis Flores-Blanco of the University of California Davis and Arizona State University, along with a team of interdisciplinary scholars, sheds new light on the origins of agriculture in the Lake Titicaca Basin of southern Peru and Bolivia.

“Our research shows that the origin of agriculture in the Titicaca Basin was a resilient process,” Flores-Blanco said. “Rather than reacting to crisis, ancient Andean communities actively managed their ecosystems and gradually incorporated domesticated species into their diets.”

A Smooth Transition, Not a Crisis Response

The dominant theory has long portrayed the agricultural revolution as a last resort—an outcome of overpopulation and resource scarcity that forced humans to adopt farming. But Flores-Blanco and his colleagues present a compelling alternative.

By analyzing carbon and nitrogen isotope ratios in the bones of 16 individuals buried at the archaeological sites of Kaillachuro and Jiskairumoko, the researchers reconstructed the ancient diets of people living between 5,000 and 3,000 years ago—precisely during the forager-to-farmer transition.

Their findings are striking: 84% of dietary intake came from plants, with the remainder consisting of meat from large mammals. These proportions remained consistent across time, and were nearly identical to both earlier foraging groups and later full-fledged agricultural communities.

In short, the data undermines the idea that early Andean societies turned to farming because they had no other choice.

The Andean Way: Stability, Not Scarcity

Instead of abandoning foraging, these communities blended it with early agriculture. The result was a hybrid economy—one that combined wild food harvesting with gradual domestication of staple crops like quinoa and potatoes, and the sustainable management of camelids such as llamas and alpacas.

“They didn’t just survive—they thrived,” said co-author Luisa Hinostroza. “The Altiplano transition to agriculture was not a response to crisis, but a stable, self-sufficient process that endured for millennia.”

Key to this resilience were cultural and technological advances of the time, including:

  • Expanding trade networks

  • Innovations in ceramics and archery

  • A deep ecological understanding of their local landscape

A Cross-Disciplinary Approach

The study’s conclusions were made possible by integrating methods from isotope chemistry, archaeobotany, and zooarchaeology—including the analysis of macrobotanical remains and statistical dietary modeling.

It adds to a growing body of evidence that challenges outdated views of early agriculture as a desperate measure, offering instead a more nuanced, human-centered view of innovation and sustainability.

“This work is more than just data,” Flores-Blanco noted. “It’s about rewriting history to better reflect the ingenuity and adaptability of ancient Andean societies.”

Ancient Mosaics and Sacred Inscriptions Unearthed in Olympos Excavations

July 5, 2025

Archaeological excavations in the ancient city of Olympos, located in Türkiye’s Antalya Province, have brought to light intricate mosaic floors and early Christian inscriptions within a 5th-century church. The discovery is part of an ongoing, year-round project supported by the Turkish Ministry of Culture and Tourism.

Once a thriving hub through the Hellenistic, Roman, and Byzantine periods, Olympos has already yielded an array of monumental structures, including churches, a bishop’s palace, and elaborate tombs. The latest focus is on Church No. 1, where archaeologists uncovered a mosaic inscription at the main entrance of the building. It reads:

“Only those on the right path may enter here,”
offering an enduring spiritual message that once greeted early Christian worshippers.

Inside, additional mosaics were revealed in both the central nave and side aisles. These feature geometric motifs, botanical patterns, and inscriptions naming the patrons who funded the church’s construction—offering a rare glimpse into the social and religious networks of the time.

According to Associate Professor Gökçen Kurtuluş Öztaşkin, excavation director from Pamukkale University, Olympos is proving to be one of Lycia’s richest archaeological sites in terms of mosaic artistry. Similar finds in 2017, 2022, and 2023 further support this designation.

Elsewhere on the site, the team uncovered a 5th-century residence built atop a former Roman necropolis. Following a destructive fire in the 6th century, the building was reconstructed—preserving much of its original layout.

Looking ahead, archaeologists plan to investigate what may be a temple complex at the heart of Olympos. Architectural elements such as finely carved stone blocks and bossage masonry point to a monumental religious structure yet to be fully explored.

Plans for the 2025 excavation season include continued work in the western necropolis, the bishop’s palace, and additional church sites. Researchers anticipate completing excavations in the city’s northern zone within the next two years before expanding their focus to the southern areas of Olympos.

Remarkably Preserved Roman-Era Settlement Unearthed in Alès, Southern France

July 4, 2025

Archaeologists from Inrap (France’s National Institute for Preventive Archaeological Research) have uncovered a stunning Roman-era settlement during excavations on the Hermitage hill overlooking Alès in southern France.

Conducted under the direction of the French Ministry of Culture (Drac Occitanie), the excavation explored a 3,750-square-metre area and revealed traces of uninterrupted habitation spanning nearly five centuries—from the 2nd to the 6th century AD.

A Mosaic Masterpiece

Among the most striking finds is a vividly colored, polychrome mosaic floor, discovered in a 4.5 x 3.8 meter room believed to be part of a substantial Roman residence—possibly a domus, the kind of high-status urban home owned by wealthy families.

The mosaic features a complex geometric design in black and white, with additional tesserae painted in hues of deep red, yellow, and purplish tones. Early analysis suggests the use of cinnabar, a rare and expensive mineral pigment in antiquity, highlighting the affluence and artistic sophistication of the inhabitants.

Adjacent to the mosaic, archaeologists uncovered white-tiled alcove-like spaces that may have supported furniture or served decorative functions. A striking border of white crosses set against a black background likely marked an entrance leading to another part of the home.

Layers of History and Innovation

The residence itself appears to have undergone multiple phases of architectural enhancement. Early floors were constructed from compacted earth, later replaced by lime-based concrete, and ultimately adorned with decorative mosaic elements—reflecting a clear evolution in taste, status, and technology.

One of the most ingenious features of the site is its ancient water management system. Excavators revealed a drainage conduit composed of interlocking fragments of amphorae, carefully laid to direct rainwater away from the building’s foundation—a practical and elegant solution to a timeless architectural challenge.

Sophisticated Roman Engineering

Elsewhere on the site, four dwellings partially carved into the limestone bedrock further demonstrate the advanced engineering techniques employed by Roman builders. Their walls were sealed with clay to prevent water infiltration, and terracotta pipe systems helped drain excess moisture—hallmarks of Roman ingenuity and attention to comfort.

A Glimpse into Late Antiquity

To the south of the site, archaeologists uncovered a small burial ground dating from the mid-5th to late 6th century AD. Ten west-oriented graves, likely used for wooden coffins, were found with few or no accompanying grave goods—a sign of changing funerary customs. Two additional isolated burials nearby suggest that the area continued to serve as a burial site well into Late Antiquity.

Preserving a Piece of Roman Legacy

This remarkable discovery offers invaluable insight into domestic life, architecture, and social evolution during a transformative period in Roman Gaul. As excavation and analysis continue, the site promises to shed further light on how communities in the region adapted across centuries of imperial rule and transition.

The Richest People Who Ever Lived: Global Empires and Business Giants

July 4, 2025

From ancient emperors to modern billionaires, this exploration uncovers the lives and sources of wealth behind the nine richest individuals in human history.

Throughout history, wealth hasn’t always been measured in coins or stocks—it was often defined by land, resources, influence, and dominion over millions. The accumulation of vast fortunes was closely tied to political power, military control, or groundbreaking economic strategies of the time.

Across continents and centuries, individuals with immense influence managed entire economies as if they were personal assets. Some dominated the world’s earliest markets. These stories not only highlight how much wealth has been concentrated in the hands of a few but also reflect how the concept of power has evolved over time.

The Richest Individuals in History

9. Mir Osman Ali Khan – $230 billion

  • Lived: 1886–1967, India (Hyderabad)

  • Empire/State: Last Nizam of Hyderabad (1911–1948)

  • Wealth Source: Control of the Golconda diamond mines, along with a massive private treasure trove of gold, silver, and jewels

  • Region: British India (now India)

8. John D. Rockefeller – $340 billion

  • Lived: 1839–1937, United States

  • Wealth Source: Founder of Standard Oil; at one point controlled 3% of U.S. GDP through oil monopolization

7. Elon Musk – $366 billion

  • Born: 1971, U.S./South Africa

  • Wealth Source: Major stakes in Tesla (~58%), SpaceX (~27%), X.AI, and more. He also acquired Twitter and rebranded it as X

6. Mansa Musa – $400 billion

  • Lived: 1280–1332/37, West Africa

  • Empire/State: Mali Empire (1312–1332)

  • Wealth Source: Control of half the Mediterranean’s gold supply and vast salt trade routes across the Sahara

5. Augustus Caesar – $5 trillion

  • Lived: 63 BC – 14 AD

  • Empire/State: Roman Empire

  • Wealth Source: Complete control over state treasury, tax revenues, mines, conquered lands, and Egyptian wealth after annexation

4. Empress Wu Zetian – $16 trillion

  • Lived: 624–705

  • Empire/State: Tang/Zhou Dynasty

  • Wealth Source: State control over taxes, land, and mineral resources; access to some of China's richest provinces

  • Country: China

3. Akbar the Great – $25 trillion

  • Lived: 1542–1605

  • Empire/State: Mughal Empire

  • Wealth Source: Dominated trade in silk, spices, and cotton; implemented structured taxation with secure trade routes

  • Country: India

2. Emperor Shenzong of Song – $30 trillion

  • Lived: 1048–1085

  • Empire/State: Northern/Southern Song Dynasty

  • Wealth Source: Monetary reforms, centralized taxation, and tight control over the economy—ruled over roughly 30% of the world’s GDP

  • Country: China

1. Genghis Khan – $100 trillion

  • Lived: 1162–1227

  • Empire/State: Mongol Empire (largest contiguous empire in history)

  • Wealth Source: Vast conquests across Asia, the Middle East, and Europe; control over land, trade, taxation, and war spoils

Ruins in the ancient city of Pompeii.

Pompeii: A 2,000-Year-Old Ancient Garden Blooms Again

July 4, 2025

Once, in the heart of Pompeii, there was a lush garden filled with olive trees, roses, and grapevines. At its entrance stood a small Latin inscription that read “Cras Credo”—“Tomorrow, I believe.” But in 79 AD, Mount Vesuvius erupted, covering the garden in volcanic ash and erasing every trace of life from the site.

Now, two millennia later, archaeologists and botanists have brought this ancient space back to life.

The Pompeii Archaeological Park recently unveiled the newly restored "Garden of Hercules," named after a small statue of the mythical hero once found there.

The garden has been replanted with over 1,200 violets, 1,000 butcher’s broom plants, 800 rose bushes, as well as grapevines, cherry trees, and apple trees—each species carefully selected based on the discoveries of botanist Wilhelmina Jashemski, who, in the 1950s, uncovered pollen, seeds, and plant fossils from the area. The goal? To recreate the garden just as it would have appeared before the volcanic disaster.

“In Pompeii, nature and archaeology become one,” said Gabriel Zuchtriegel, director of the archaeological park. “The greenery of Pompeii, which was once seen as a problem in terms of maintenance, is now recognized as an essential element of the archaeological landscape—and of the park’s larger agricultural initiative,” he added.

Located in Regio VIII, Insula 2, the revived garden lies next to a house first unearthed in 1953, with additional excavations completed in the 1970s. Researchers discovered that the home had been rebuilt following a major earthquake in 62 AD. Its owner had acquired the surrounding land, likely intending to use it for agricultural or commercial purposes.

Numerous perfume bottles were also found at the site, offering clues that the garden’s caretakers may have been involved in the production of fragrances. According to researchers, flowers would have been pressed together with olive oil or grape juice, then bottled and sold as perfume.

Equally remarkable was the discovery of an ancient irrigation system. This allowed gardeners to water the plants through a hole in the wall—without even entering the garden. The water then flowed through a network of stone channels that encircled the flowerbeds or collected in clay cisterns strategically placed around the garden.

This irrigation system has now been fully reconstructed in the restored Garden of Hercules, with stone basins and troughs running along the flowerbeds just as they did 2,000 years ago. A terracotta statue of Hercules has also been reproduced and discreetly placed in a corner near an outdoor dining area, helping restore the ambiance of a private Roman garden.

“This was a space with a practical function,” Zuchtriegel told The Times of London, “but it was also truly beautiful.”

With every plant replanted and every ancient detail restored, the Garden of Hercules is more than a revival—it's a living memory of a world lost to time.

Ancient Egyptian Genome Sequenced for the First Time: New Clues About Egypt’s Genetic Past Revealed

July 3, 2025

A groundbreaking scientific milestone has been achieved as researchers have fully sequenced the genome of an ancient Egyptian individual for the first time (published in Nature). The remains belong to a man buried more than 4,500 years ago, during the Middle Kingdom period, whose skeleton was discovered preserved inside a sealed ceramic pot near Nuwayrat, Egypt.

The extraordinary state of preservation allowed scientists to extract high-quality DNA, providing a rare genetic snapshot of one of the oldest known Egyptians to undergo such detailed analysis. The individual, believed to have been a middle-aged craftsman—possibly a potter—showed clear skeletal markers linked to manual labor.

The genome results revealed that his ancestry was predominantly North African, with approximately 20% genetic contribution from regions of the Fertile Crescent, such as Mesopotamia. This finding supports long-standing historical evidence of interaction between ancient Egypt and neighboring civilizations of the Near East.

Experts consider this development a turning point for bioarchaeology in Egypt, where the harsh climate has often hindered DNA preservation. The success of this project opens the door to future large-scale genetic studies, which may reconstruct the complex population history of ancient Egypt with greater precision. Researchers aim to analyze more individuals from different eras and regions, potentially reshaping our understanding of ancient Egyptian identity and their connections with surrounding cultures.

From Pharaoh’s Curse to Cancer Cure: A Deadly Fungus Offers New Hope Against Leukemia

July 3, 2025

In a remarkable convergence of ancient history and modern science, a toxic fungus once suspected of causing the mysterious deaths of archaeologists in King Tutankhamun’s tomb is now showing promise as a weapon against leukemia. Aspergillus flavus—a mold long linked to the infamous “pharaoh’s curse”—has revealed a startling potential: it produces compounds that can kill cancer cells in the lab.

The Curse That Sparked Curiosity

When Howard Carter opened Tutankhamun’s tomb in 1922, the world was captivated not only by the dazzling artifacts but also by the legend of a deadly curse. Over the following years, several expedition members died under unusual circumstances, fueling sensational stories of ancient vengeance. But decades later, science provided a more plausible explanation.

Researchers proposed that Aspergillus flavus, a mold thriving in the tomb’s sealed, humid conditions, could have released toxic spores. When inhaled—especially by individuals with weakened immune systems—these spores might trigger severe respiratory infections. Similar outbreaks were documented in the 1970s, when archaeologists exploring the tomb of King Casimir IV in Poland fell mysteriously ill. Though the “curse” made for captivating headlines, the true culprit may have been fungal toxicity.

Now, that same fungus is grabbing headlines again—but this time, for offering hope rather than harm.

A Breakthrough in the Lab

In a study published in Nature Chemical Biology in June 2025, a team of researchers at the University of Pennsylvania, led by Professor Sherry Gao, identified a new class of anti-cancer compounds produced by Aspergillus flavus. These molecules, called asperigimycins, belong to a family of natural products known as RiPPs (ribosomally synthesized and post-translationally modified peptides).

The team tested four asperigimycin variants and discovered that two significantly disrupted the growth of leukemia cells. The compounds target microtubules—essential structures that cancer cells rely on to divide and multiply. One modified variant, enhanced with a lipid molecule, performed on par with established leukemia drugs like cytarabine and daunorubicin—but with a key advantage: it left healthy cells untouched.

A Targeted Strike on Cancer

The secret to asperigimycins’ selectivity lies in a protein called SLC46A3, which acts like a cellular gateway. This protein is abundant in leukemia cells but far less common in healthy ones, allowing the compound to zero in on its target with precision—unlike traditional chemotherapy, which often harms both cancerous and healthy tissue.

The discovery emerged from a sophisticated screening process. Gao’s team analyzed multiple Aspergillus strains, searching for rare genetic clusters linked to RiPP production. Though the strain they used wasn’t taken directly from King Tut’s tomb, it belongs to the same species—drawing a poetic connection between ancient fears and modern healing.

From Myth to Medicine

While this research is still in its early phases, the implications are powerful. Animal trials and, eventually, human clinical testing lie ahead. If successful, asperigimycins could represent a new class of highly targeted leukemia treatments with fewer side effects.

The story is more than scientific progress—it’s a reminder of nature’s hidden potential. Fungi, often viewed as nuisances or threats, are proving to be unexpected treasure troves of pharmaceutical innovation.

An Ancient Foe Turned Ally

The transformation of Aspergillus flavus from a suspected killer to a possible lifesaver is a striking tale of serendipity and scientific persistence. What began as the legend of a curse in a dusty Egyptian tomb may ultimately contribute to saving thousands of lives around the world.

In the end, the "pharaoh’s curse" might never have been real—but its legacy now includes a glimmer of hope in the fight against cancer.

It’s not glowing here, but the recently discovered American Pocket Shark secretes a bioluminescent fluid it uses to attract unassuming prey, according to a June study.

Meet the Newly Discovered Pocket Shark: Glow in the Dark and Smaller Than Your Hand:

July 3, 2025

In the inky black depths of the Gulf of Mexico, scientists have uncovered a marvel that feels like something out of science fiction—a tiny, glowing shark no longer than your hand. Meet Mollisquama mississippiensis, the newly discovered species of pocket shark, and only the second of its kind ever recorded.

Measuring a mere 14 centimeters (just over 5 inches), this miniature predator is a master of the deep-sea stealth game. But what truly sets it apart is its eerie glow. The pocket shark possesses specialized bioluminescent glands near its gills that emit a soft light—an adaptation perfectly suited to the pitch-black world it inhabits.

Bioluminescence in marine life isn’t unusual, but the exact reasons this pocket shark glows are still a subject of study. Scientists suggest the glow may serve several purposes: luring unsuspecting prey, mimicking faint sunlight from above to avoid detection, or communicating with other deep-sea dwellers in a language of light.

This dazzling discovery is more than just cute or quirky—it’s a powerful reminder of how little we truly know about Earth’s oceans. According to the National Oceanic and Atmospheric Administration (NOAA), an estimated 91% of marine species remain undocumented. Each new find like the pocket shark shines a light—literally and figuratively—on the staggering biodiversity still hidden beneath the waves.

The pocket shark is a symbol of mystery, adaptation, and the thrilling potential of deep-sea exploration. As one of the smallest known sharks, it may not look threatening, but its existence challenges our assumptions about life in the ocean’s darkest places. It’s another tiny clue in the grand puzzle of marine evolution—and a perfect example of why the deep sea remains one of Earth’s greatest frontiers.

From its glowing gills to its pint-sized body, the pocket shark is a marvel of nature’s creativity. It invites us to look deeper, wonder more, and remember that even the smallest creatures can make the biggest splash in science.

Spectacular Celebration in Naples: Honoring Their Greek Founders (Photo Gallery)

July 3, 2025

This year, Naples is not only celebrating their football championship but also their… Greek origins!

Edited by: Sotiris Skouloudis, NEWSBOMB.GR

In a dazzling event attended by thousands of people—an event that certainly rivaled the grandeur of ancient festivities—the people of Naples, as well as those from southern Italy and the broader region once known as Magna Graecia, honored the foundation of their beloved city by the Greeks!

This year's historical reenactment, held for the sixth time, took on special significance as it marked the 2,500th anniversary of the founding of Campania’s capital. Sports and cultural activities also extended to Casamicciola on the island of Pithecusa on June 20, and on June 21 in Dicearchia (modern Pozzuoli) and Cumae.

The highlight was the revival of the two historic torch relays, held for over two millennia in honor of the Siren Parthenope, the mythical symbol and founder of Naples. Businessmen Giuseppe Serroni of the association "I Sedili di Napoli" and Fiammetta Miele passionately revived this ancient tradition—and succeeded.

Watch the spectacular video of the events:

Credits: Dimitris Zisopoulos

The initiative was supported by Italy’s Ministry of Cultural Heritage, the Municipality of Chalkida (Greece), the Municipalities of Naples and Casamicciola on Ischia island, and the Greek Embassy in Italy.

A Journey to the Roots of Naples

On June 20, festivities began on the lush island of Pithecusa—the first landing point of the Greek settlers. The first edition of the "Magna Graecia Hellenic Fest" took place there, featuring over 100 artists in ancient Greek costumes.

On the evening of June 21, the celebration continued with a grand procession through Naples's historic sites—from Castel dell'Ovo to Monte Echia—culminating in the reenactment of the Lampadedromia, the traditional torch-lit procession honoring Parthenope.

In Pozzuoli, the festivities included educational and theatrical workshops, along with the awarding of the "Salvatore Lopresti Prize" to distinguished individuals promoting classicism and reinforcing Greek and Roman identity.

Theatrical performances included ancient Greek plays, under the artistic direction of Angelantonio Aversana: Medea, Odysseus and the Sirens, accompanied by evocative tributes to the sacred fire of Pithecusa (Ischia), Cumae (Kuma, Bacoli), Dicearchia (Pozzuoli), and Parthenopolis (Naples)—the city destined to surpass all others, celebrating the transition from the ancient torch relays to their modern revival.

On June 22, the festivities concluded with the Neapolitan Torch Relay—a 15 km race from Pozzuoli’s Macellum to the islet of Megaride, home to today’s Castel dell'Ovo.

The Greek Origins of Naples

The city that would later become Naples was founded by settlers from Rhodes, who established new colonies along the coast to expand their maritime trade routes.

The city’s founding dates to the 8th century BCE, an era famous for the establishment of numerous cities collectively known as Magna Graecia. In the 7th century BCE, the colony was named Parthenope after the mysterious Siren—whose name means "Maiden." According to scholars, the worship of Parthenope likely predated the arrival of the Greeks from Cumae, who, respecting existing cults, dedicated the new settlement to her.

See the Photographs:

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Photo Credits: Giancarlo De Luca, Rossella Crugliano

Parthenope, the Siren of Naples

Parthenope embodies many identities, much like Naples itself: she is a protector of harvests and the sea, a shield against Vesuvius’s wrath, a lover of song and music, and a hospitable spirit guarding the bay. She stands as an enemy to tyranny and injustice. Her most vivid and heartfelt memory lives on in the odes of Naples's greatest poetess, Matilde Serao.

The event’s organizers succeeded in reviving the city's oldest expression of devotion to Parthenope—a cult that, despite surviving over 2,000 years of profound social, political, and religious transformation, had disappeared by around 1912.

The Passion for Greek Heritage

As previously documented by Newsbomb.gr site during its travels across Magna Graecia, for many Italians in southern Italy, no form of culture surpasses classical Greek culture. There are no greater playwrights than Aeschylus, Euripides, or Aristophanes; no loftier literary works than Homer’s Iliad and Odyssey. The philosophical brilliance of Pythagoras, Plato, Aristotle, and Parmenides remains unmatched.

These performances transported audiences two millennia back in time, offering rare moments of refinement and profound atmosphere. News of the celebrations honoring Parthenope spread across the world within hours, with millions of views on social media.

Saverio De Florio: "We Feel Greek!"

We asked Saverio De Florio, co-founder of the Magna Graecia Artists Network—alongside Giuseppe Serroni and deputy director of the Naples performances—about the meaning and significance of reviving a tradition lost for over a century.

Saverio emphasized that Greek heritage is the foundation of his homeland and highlighted the immense challenge of reviving ancient popular traditions, which, in his view, gain even greater importance the older they are.

He also stressed the need not to lose the ancient sense of the sacred and of profound meaning, especially in an era dominated by technology. He reminded us of the wise Greek warnings about the dangers of excessive technological advancement, referencing Aeschylus's Prometheus Bound as an allegory of mankind's disastrous attempt to replace the divine. He criticized the modern obsession with technology, no longer seen as a tool but as an ultimate goal—a technology that, according to AI creators themselves, humanity has lost control over, opening dangerous new scenarios that defy natural balance and order.

For Saverio, history—understood as the collective human experience—is a safe haven, offering lessons that, however ancient, remain essential for securing the future. Those without memory, he concluded, have no perspective and no future.

"We Southern Italians Feel Greek"

Saverio concluded:
"The most important thing is to send a strong message: our commitment to honoring the ancient Greek founders of our cities and expressing our love and closeness to Greece. That is what matters most to us. Southern Italians feel Greek, and they proudly demonstrate this by reviving the oldest rituals of their cities—to showcase the greatness, beauty, and sacred spirit of the ancients."

The Contributors to the Event

Saverio explained:
"This dream of formal celebrations had been long-awaited and was realized thanks to nearly a hundred artists from companies representing the oldest and greatest cities founded by the Greeks."

In addition to the participating groups from Sedili di Napoli, Nastazio De Marin, Angela Di Cicco, the Falero Polyphonic Choir and Small Orchestra under Patrizia Fanelli, and the Terra e Lavoro Folk Group, performers filled Parthenope with theater, dance, Greek music, and the ceremonial procession of the Siren’s statue.

Participants included actors, dancers, and musicians from the Nereids of Taranto (led by Clelia Madaro), the Naiads of Metapontion (led by Giuseppe Barberino and Ilde Calvello), the Olympia Dance School of Crotone (directed by four generations of the Blaconà family), the Guardia Krotoniate School (Antonio Parrotta), and the Brettii group (Luigi Rubino).

Artists from Agrigento and Gela joined as well. Honorary guests included performers from Athens, part of the Atrapos and Atthios groups, renowned for their Greek ceremonial performances.

On the return route from Santa Lucia to Castel dell’Ovo, alongside the procession, the commemorative Lampadedromia took place—the ancient torch race once dedicated to Parthenope by the bay's inhabitants to ensure fertility and prosperity.

A Journey Back in Time… 2,500 Years Ago in Ancient Greece is Now Possible!

July 3, 2025

What if I told you that for the most distant trip you can take, you wouldn’t even need to go to the airport? And no, I haven’t lost my mind.

And what if I told you that the most distant journey you can embark on is… to Athens in 415 BCE(!) with your starting point located on Piraeus Street? What would you think then?

All of this may sound strange, but it’s entirely true. Let’s take it from the beginning. You drive down Piraeus Street, park at the Hellenic Cosmos Cultural Center’s parking lot, and… minutes later, you find yourself 2,500(!) years in the past.

But how is that possible? The answer lies in eXtended Reality.

What is eXtended Reality?

The term eXtended Reality—refers to all real, virtual, and mixed environments and human-machine interactions created by computer technologies and portable devices.

In simpler terms, it resembles virtual reality, but this time, people can interact with each other and with machines within a virtual environment. Moreover, they can move freely through a digitally generated space entirely created by computers.

The use of eXtended Reality (XR) is growing rapidly and is expected to revolutionize various sectors in the coming years—from industry and firefighting to culture and education.

The XR Experience "In the House of Ergocharis"

A Journey to 415 BCE

Our team visited one of the first XR applications in Greece (and among the few in Europe) to experience it firsthand. The program is called BRIDGES.

The process for visitors is very simple. We arrived at the specially designed area within the Hellenic World Cultural Center, received information from program officials, and watched a short instructional video. Then we were ready to experience it ourselves.

The first stage of this time-traveling adventure involved the equipment: a lightweight computer worn like a backpack and classic virtual reality glasses. We were ready to begin.

The moment you put on the glasses, you see your reflection in the mirror—but it’s your "new self." I was no longer Panos; I had become "Apollonios." The figure in the mirror—Apollonios—mirrored my every move.

I then passed through a doorway and magically found myself in the 5th century BCE. Once the other participants joined—Antigone, Linos, Melissa, and Hippias (up to four people can participate in each exploration cycle)—the adventure began.

A Dramatic Night in an Athenian House of the 5th Century BCE

We were now in Athens, 415 BCE. The Peloponnesian War was ongoing, following 15 years of armed conflict with Sparta and its allies. The city was in turmoil.

The Athenians had decided to send a major expedition to Sicily to conquer Syracuse, believing this would give them a strategic base against the Greek cities of southern Italy.

We were invited to the house and workshop of Ergocharis, a renowned potter, where a farewell party had been organized for his son, Euthymachos, who would soon be leaving with the Athenian fleet for Sicily.

Alongside them was Perictione, Ergocharis's wife and Euthymachos's mother. The three of them were the hosts and virtual characters of the story.

The invited guests included the family of Apollonios (me)—a dear friend of Ergocharis and father of Euthymachos's best friend, Linos. Also present were Antigone, Apollonios's wife, and Melissa, their young daughter.

The XR Experience Inside Ergocharis's House

The experience inside Ergocharis’s home was unforgettable. You could explore nearly the entire house, paint amphorae, sit at the same table with the hosts, and even engage in conversation with these people, who lived… 2,500 years ago!

What we saw, heard, and experienced was as historically accurate as possible. The BRIDGES project consulted historians and archaeologists to ensure the 20-minute narrative was based on solid research.

The experience was truly immersive. Beyond the visuals and interactions, XR allowed us to feel elements like wind, warmth, scents, and vibrations—so vividly that, at times, you forgot it was all happening inside a digital simulation and believed you were experiencing it for real.

What is BRIDGES?

The Hellenic World Cultural Foundation, a pioneer in using new technologies and virtual reality to promote cultural heritage, participates in the BRIDGES project:

A hyBRID [physical-diGital] multi-user Extended reality platform as a stimulus for industry uptake of interactive interfaceS.

The BRIDGES solution is based on the Immersive Deck platform developed by Illusion Walk and the Vienna University of Technology. It has been further enhanced into a comprehensive, ready-to-use tool with a wide range of applications to promote interactive technologies across different industries.

For example, BRIDGES can significantly aid firefighter training by providing realistic simulations without the need to rebuild structures or vehicles, reducing costs while enhancing effectiveness.

Firefighters have already begun testing the BRIDGES platform at international airports in Berlin (Flughafen Berlin Brandenburg-BER) and Athens (Eleftherios Venizelos International Airport), both program partners.

BRIDGES in Greece

In the field of culture, the XR platform is being tested at the "Hellenic Cosmos" Cultural Center, part of the Hellenic World Foundation. Here, users can experience a multi-sensory (visual, auditory, and tactile) simulation of life in an ancient Athenian household.

Blocks recovered from the sea of the Alexandria Lighthouse. Credit: GEDEON Programmes / CEAlex


Remarkable Discovery: 22 Massive Stone Blocks from the Lighthouse of Alexandria

July 3, 2025

An international archaeological mission, spearheaded by Isabelle Hairy of France’s CNRS under Egypt’s Ministry of Tourism and Antiquities, has successfully recovered 22 colossal stone blocks from the submerged remains of the ancient Lighthouse (Pharos) in Alexandria’s Eastern Harbor (labrujulaverde.com). Weighing between 70 and 80 tons, these blocks include the lintels and uprights of the lighthouse’s grand entrance, foundational slabs, and a previously unknown pylon combining Egyptian design with Greek engineering.

Scientific Significance & Digital Resurrection

These monumental blocks are destined for high-resolution 3D photogrammetric scanning as part of the “PHAROS” project—a collaboration between CNRS/CEAlex and France’s Dassault Systèmes Foundation. They will be digitally reconstructed to test architectural hypotheses on the lighthouse’s original construction and causes of its collapse. Having previously digitized over a hundred underwater fragments, this latest find deepens our understanding of the ancient structure and helps fill crucial gaps in its architectural narrative.

Why This Discovery Matters

  • Recovering One of the Seven Wonders: The Lighthouse of Alexandria was a landmark of ancient maritime innovation. No other major lighthouse of antiquity remains; this digital rebirth offers a rare opportunity to virtually “restore” a world marvel lost to earthquakes and centuries of quarrying.

  • Insights into Ancient Engineering: The recovered lintels, jambs, and base pieces can help scholars unravel 3rd-century BCE Ptolemaic construction techniques and structural composition through virtual testing.

  • Cultural Symbolism: Beyond aiding navigation, the lighthouse represented Alexandria’s power, technological mastery, and fusion of Hellenistic-Egyptian culture. Reconstructing it reawakens a symbol that shaped Mediterranean intellectual and trading networks.

A reconstruction of the Alexandria Lighthouse following a 2013 survey. Credit: Emad Victor SHENOUDA / Wikimedia Commons


The Hellenistic Alexandria Section

Founding and Cultural Fusion
Founded in 332 BC by Alexander the Great and developed under the Ptolemies—Alexander’s successors—Alexandria stood as a beacon of Hellenistic civilization. The Pharos, commissioned during the reign of Ptolemy I and completed under Ptolemy II Philadelphus, was both functional and symbolic: a towering fusion of Greek engineering and Egyptian tradition.

A Beacon of Knowledge and Commerce
Rising well over 100 m, the lighthouse was a marvel of its time—often likened to the world’s first skyscraper. It helped guide ships safely into Alexandria’s harbor, underpinning its status as a global center for trade, scholarship, and culture .

Architectural Splendor of the Hellenistic Era
The structure’s tripartite design—square at the base, octagonal in the middle, cylindrical above—is a testament to Hellenistic architectural brilliance. Traditional accounts credit Sostratus of Cnidus, a Greek engineer, signaling continuity of classical architectural patterns in Egypt.

Endurance and Eventual Collapse
Standing for more than 1,600 years, the lighthouse endured and adapted through multiple earthquakes before ultimately collapsing in the 14th century. Its stones later formed the Qaitbay Fortress, but its legacy remained central to Alexandria’s identity.

Future Outlook

  • Educational Outreach: A documentary produced by GEDEON Programmes, slated for broadcast on France Télévisions, will chronicle the recovery and reconstruction process in a 90-minute feature.

  • Academic and Public Engagement: Through digital models, historians and engineers will re-examine hypotheses on design and collapse scenarios. The end goal? A virtual twin that could form the basis for interactive exhibits, educational tools, and perhaps future physical reconstructions.

  • Underwater Heritage Preservation: This operation builds on a continuum of work stretching back to Jean‑Yves Empereur’s 1994 discovery and adds momentum to Alexandria’s transformation into a center for submerged cultural tourism.

Lighthouse of Alexandria Ruins Egypt Tours Portal

Conclusion

The recovery of these twenty-two massive limestone blocks is far more than an archaeological feat—it’s a bridge to a civilization that changed the course of Mediterranean history. By digitally resurrecting the Pharos, we don’t just rebuild a structure; we reclaim an icon of Hellenistic ingenuity, cultural fusion, and enduring influence. It marks the return of a beacon that once lit the way—in more ways than one—and now has the potential to illuminate our understanding of the ancient world once again.

A New “Alexander the Great” Chair to Be Established at Aristotle University of Thessaloniki

July 3, 2025

A major new academic initiative is about to launch in Thessaloniki, bringing global attention to Greece’s rich historical and cultural heritage. On June 30, 2025, the rectors of the five universities in the regions of Macedonia and Thrace convened—at the invitation of Deputy Minister of Interior Kostas Gioulekas and with the participation of Deputy Minister of Education Nikos Papaïwannou—to agree on the founding of a dedicated Chair in Alexander the Great Studies within the Faculty of Philosophy at Aristotle University of Thessaloniki (AUTH) .

As Deputy Minister Gioulekas emphasized, "We decided it is essential to establish a Chair focused on the history of Alexander the Great, which is currently missing in our homeland, and this must proceed" . Although AUTH will serve as the base, the initiative is designed as a transdisciplinary collaboration involving all five regional universities (ipaidia.gr).

This institution is expected to become a hub for historians, postgraduate students, and international researchers, centralizing resources and scholarship about Alexander—“the greatest and most important Greek of all time” .

Importantly, the project is being framed within the context of cultural diplomacy. Gioulekas noted that the Chair “is expected to attract many students from abroad” and, especially at a time when historical narratives are under scrutiny, “having it located at AUTH—in the heart of Macedonia and the largest university in Southeast Europe—sends a message” (xronometro.com).

From their side, officials from both the public and private sectors are expected to support and finance the Chair, and a working group at the Ministry for Macedonia and Thrace will be established to gather needs and suggestions from local actors and international partners . Deputy Minister Papaïwannou pointed out that in the past year, around €600 million—largely from EU recovery funds—has been allocated into Greek public universities, enabling infrastructure and excellence programs, as well as links between research and industry .

As someone interested in Greece’s cultural landscape, this development signals a few key points:

  1. Revitalization of Hellenistic Scholarship
    Greece is asserting its role as the academic epicenter for studying Alexander—providing international scholars with centralized archives, seminars, and collaborative networks.

  2. Strategic Cultural Diplomacy
    At a time of contested historical narratives in the Balkans and beyond, the Chair represents Greece’s active engagement in the global discourse surrounding Hellenistic legacy.

  3. Interdisciplinary and International Scope
    By design, the Chair invites historians, archaeologists, political scientists, and foreign-language experts—transforming Thessaloniki into a melting pot for cross-disciplinary projects.

  4. Economic and Educational Impact
    With substantial funding behind it, the Chair may help draw international students and researchers, aiding both university prestige and regional development.

For foreign academics, researchers, and institutions, the establishment of this Chair is a golden opportunity to collaborate deeply with Greek scholars in the cradle of Alexander’s cultural heritage. It’s a statement: Greece is not only reclaiming its ancient past but inviting the world to study and engage with it—right from the source in Macedonia.

In the heart of southeastern Turkey, archaeologists are uncovering a breathtaking ancient structure—one that stands out for its exceptional design and fascinating past.

Ancient Library Discovered in the City of Gladiators – Why Archaeologists Call It an Architectural Marvel

July 1, 2025

A remarkable marvel of antiquity—unique in both design and history—has emerged from archaeological excavations in the heart of southeastern Turkey.

Deep within ancient Caria, a rare and architecturally stunning Roman-era library has been unearthed in Stratonicea, a major city of the ancient world located in the province of Muğla. This extraordinary find offers fresh insight into the intellectual and architectural achievements of the past.

Known as the “City of Gladiators” and once one of the largest cities built primarily from marble, Stratonicea has been the focus of continuous archaeological efforts since 1977. Excavations today are conducted year-round under the leadership of Professor Dr. Bilal Söğüt of Pamukkale University, who heads the Stratonicea and Lagina research team.

Stratonicea: A Marble Masterpiece of Ancient Caria

Founded during the Hellenistic period by the Seleucids, ancient Stratonicea was situated in the Carian region of Asia Minor, southeast of Mylasa and south of the Marsyas River, a tributary of the Maeander. Today, the city is listed on UNESCO’s tentative list of World Heritage Sites and is regarded as one of the largest ancient cities in the world built extensively from marble.

A wonder of antiquity, unparalleled in both design and history, is being unearthed in the heart of southeastern Turkey.
Photo: AA

A Library at the Crossroads of Civilizations

Strategically located at the junction of four major roads in the city center, the library was originally built during the Hellenistic period and later redesigned in the Roman era. By the 4th century AD, the addition of intricate mosaics showed that the building continued to play a vital role well into Late Antiquity.

According to inscriptions discovered on site, the library was constructed by a master artisan from Ephesus, the cultural heart of Ionia. “Over the past five years, we’ve been excavating this particular structure,” explained Professor Söğüt. “We’ve uncovered key areas, including the main entrance, the southern colonnade, the central courtyard, the reading room, and adjacent chambers. These findings reveal a library of impressive scale and significance.”

Withstanding Earthquakes and the Test of Time

A marvel of antiquity—unique in both design and history—emerges from excavations in the heart of southeastern Turkey.
Photo: AA

In the early 7th century AD, a powerful earthquake struck the region, inflicting major damage. While much of the city contracted in size and function, the library endured—standing as a silent witness to centuries of cultural continuity and scholarly life. The excavation team not only mapped the entire layout of the library but also identified its architectural evolution over time.

“We now understand how the building was altered in various areas, how it was restored after disasters, and how it continued to serve the community,” said Professor Söğüt.

What makes this discovery truly exciting is the library’s architectural design. Researchers found that the layout of the Stratonicea library is unlike any other known in Anatolia. In fact, it appears to have served as a model for a later library constructed in North Africa—offering invaluable clues about cultural exchanges across the Mediterranean.

“Our goal is to reconstruct sections of the columns and structural elements,” Söğüt added, “so visitors can experience its original grandeur. This isn’t just a building—it’s a testament to the enduring value of knowledge.”

A Cultural Landmark for the Future

With each new layer unearthed, Stratonicea continues to reveal the complex social, architectural, and intellectual fabric of ancient Anatolia. As restoration and conservation efforts progress, this recently uncovered library is expected to become a central hub for both scholarly research and cultural tourism.

Share this story with fellow history lovers and help shed light on a forgotten intellectual treasure of the ancient world.

One of the Strangest Churches in the World Is in the Peloponnese!

July 1, 2025

In the region of Mantineia, Arcadia, stands a church unlike any other in Greece.

Rising out of the plain of Mantineia, just about 15 kilometers from Tripoli, this unusual yet captivating structure catches the eye of all who pass by. The Church of Saint Photini of Mantineia sits directly opposite the archaeological site of ancient Mantineia — and it's nothing short of extraordinary.

Built in the 1970s, the church is an eclectic blend of ancient Greek architectural forms and Byzantine influences. It is the life’s work of architect, painter, and iconographer Kostas Papatheodorou, a student of the renowned Greek architect Dimitris Pikionis.

What makes the church even more unique is its construction — made entirely from local, natural materials like stone, tiles, and marble, with absolutely no cement used.

Many visitors are initially drawn to the area simply because they’ve heard tales of this so-called “most unorthodox church in Greece.”

According to traveltripolis.gr, the church’s dedication to Saint Photini reflects Arcadia’s historical connection with light. In fact, Mount Lykaion, a name derived from the Greek word for “light,” shares this symbolism — as does the name Lycaon, a mythical founder of Arcadia. The iconography inside the church continues this spirit of cultural synthesis: the saints are depicted with features reminiscent of ancient Greek philosophers. You’ll also find references to the cult of Isis, once widespread in Arcadia.

Watch the stunning aerial video by Up Drones below and see for yourself what makes this church so uniquely compelling.

At the Acropolis Museum, There's a LEGO Parthenon Made of 120,000 Bricks — and It Includes Gandalf

July 1, 2025

“One does not simply walk to the Acropolis”

If you’ve visited the Acropolis Museum (and if not, you really should — it’s well worth it), you may have noticed an eye-catching miniature model of the Parthenon made entirely out of LEGO bricks.

As reported on resgerendae.wordpress.com, this massive LEGO Acropolis was created in 2018 by Australian artist Ryan McNaught using an incredible 120,000 LEGO pieces. It tells the story of the Acropolis hill from the Mycenaean era all the way to the present day.

The model doesn't just include the Parthenon — complete with its two chambers, the treasury and the inner sanctuary with the famed chryselephantine statue of Athena — but also depicts legendary scenes like the mythological contest between Athena and Poseidon. It features the Panathenaic procession, the Theater of Dionysus with scenes from Oedipus Rex and Lysistrata, and even the Odeon of Herodes Atticus in its modern use, with an Elton John concert in full swing — and a souvlaki stand, of course.

The LEGO Acropolis combines humor with historical accuracy, showcasing how the past and present coexist at Greece’s most iconic archaeological site — complete with tourists, tour guides, and yes… Gandalf.

In fact, Gandalf was recently spotted by a sharp-eyed tourist, who shared the discovery on TikTok — and the post quickly went viral!

@rick_and_marty_ Gandalf the Greek . . . . . . . . #acropolis #parthenon #lego #lordoftherings ♬ Lord Of The Rings: The Shire (Concerning Hobbits) - Geek Music

The Metropolitan Museum of Art

Egypt: Statues of the First Female Pharaoh Weren’t Destroyed Out of Revenge—They Were “Deactivated”

July 1, 2025

New findings rewrite the story of the mysterious Hatshepsut – A ceremonial “de-spiritualization” sheds new light on her legacy.

For centuries, the disappearance of Pharaoh Hatshepsut from Egypt’s official history remained a puzzle. A groundbreaking new study now challenges the long-standing belief that her memory was erased out of hatred and political vengeance.

Hatshepsut—whose name means “Foremost of Noble Ladies”—was one of only three women to rule as Pharaoh over the course of 3,000 years of ancient Egyptian history, and the first to wield full power. Though renowned, she has long remained enigmatic, largely because of the apparent effort to eliminate her from the historical record.

But according to new research, the statues of Queen Hatshepsut were not violently destroyed as part of a campaign to obliterate her memory. Instead, they were likely ritually “deactivated.” This reinterpretation stems from a detailed study of the statues unearthed in the 1920s at Deir el-Bahari in Luxor, about 500 kilometers south of Cairo.

The lead researcher, June Yee Wong from the University of Toronto, published her findings in the journal Antiquity. She argues that the condition of these statues—long believed to be the result of deliberate, hostile destruction by her successor and nephew, Thutmose III—actually points to something else.

“Because the statues were found in highly fragmented condition, it was assumed they had been violently smashed by Thutmose III, perhaps out of resentment toward Hatshepsut,” Wong explains.

Hatshepsut initially ruled as regent on behalf of the young Thutmose III, but eventually declared herself Pharaoh. After her death, her images and name were systematically removed from temples and monuments, leading many scholars to conclude that Thutmose III sought to rewrite history. Others assumed his actions were driven by spite.

A Different Kind of Destruction

Wong examined excavation records and unpublished archival materials from the 1920s to determine the exact locations and conditions in which the statue fragments were discovered. Her analysis revealed that much of the damage occurred long after Thutmose’s reign, likely during periods when the statues were broken up and reused as construction material—adding complexity to the traditional narrative.

When Wong excluded the later damage, a new picture emerged. The statues appeared to have been systematically broken at specific weak points—such as the neck, waist, and knees—consistent with an ancient Egyptian ritual known as “statue deactivation.”

“When you strip away the later destruction, what remains is limited and deliberate. This wasn't the work of a vengeful attack but a calculated, ritual act, meant to deactivate the power of the statues,” Wong says. “It’s quite astonishing—it shows the treatment of Hatshepsut’s images was more ceremonial than hostile.”

A Ritual of Power and Transition

In ancient Egypt, royal statues were seen as vessels of divine presence. Rituals such as the “Opening of the Mouth” were performed to “animate” them, allowing them to act as intermediaries between the gods and the people. But when a statue needed to be removed—say, to make space in a temple—it had to be ritually “de-spiritualized” by breaking key structural points.

This practice neutralized the statue’s power without dishonoring the person it represented. Hundreds of such statues have been found buried at Karnak Temple in Luxor, many similarly “deactivated,” regardless of whether the rulers had been vilified in death.

Though Hatshepsut was clearly subjected to a posthumous “cancelation,” Wong’s findings suggest the process was far more nuanced than once believed.

“The research felt a bit like solving an ancient detective mystery—it was incredibly rewarding to uncover something so tangible,” she says. “People often assume Egyptology is only about discovering tombs and mummies—which is, of course, fascinating—but sometimes the greatest insights come from reinterpreting what’s already been found.”

This new perspective challenges the idea of vengeful erasure and instead opens up a more complex understanding of memory, power, and ritual in ancient Egypt.New findings rewrite the story of the mysterious Hatshepsut – A ceremonial “de-spiritualization” sheds new light on her legacy.

For centuries, the disappearance of Pharaoh Hatshepsut from Egypt’s official history remained a puzzle. A groundbreaking new study now challenges the long-standing belief that her memory was erased out of hatred and political vengeance.

Hatshepsut—whose name means “Foremost of Noble Ladies”—was one of only three women to rule as Pharaoh over the course of 3,000 years of ancient Egyptian history, and the first to wield full power. Though renowned, she has long remained enigmatic, largely because of the apparent effort to eliminate her from the historical record.

But according to new research, the statues of Queen Hatshepsut were not violently destroyed as part of a campaign to obliterate her memory. Instead, they were likely ritually “deactivated.” This reinterpretation stems from a detailed study of the statues unearthed in the 1920s at Deir el-Bahari in Luxor, about 500 kilometers south of Cairo.

The lead researcher, June Yee Wong from the University of Toronto, published her findings in the journal Antiquity. She argues that the condition of these statues—long believed to be the result of deliberate, hostile destruction by her successor and nephew, Thutmose III—actually points to something else.

“Because the statues were found in highly fragmented condition, it was assumed they had been violently smashed by Thutmose III, perhaps out of resentment toward Hatshepsut,” Wong explains.

Hatshepsut initially ruled as regent on behalf of the young Thutmose III, but eventually declared herself Pharaoh. After her death, her images and name were systematically removed from temples and monuments, leading many scholars to conclude that Thutmose III sought to rewrite history. Others assumed his actions were driven by spite.

A Different Kind of Destruction

Wong examined excavation records and unpublished archival materials from the 1920s to determine the exact locations and conditions in which the statue fragments were discovered. Her analysis revealed that much of the damage occurred long after Thutmose’s reign, likely during periods when the statues were broken up and reused as construction material—adding complexity to the traditional narrative.

When Wong excluded the later damage, a new picture emerged. The statues appeared to have been systematically broken at specific weak points—such as the neck, waist, and knees—consistent with an ancient Egyptian ritual known as “statue deactivation.”

“When you strip away the later destruction, what remains is limited and deliberate. This wasn't the work of a vengeful attack but a calculated, ritual act, meant to deactivate the power of the statues,” Wong says. “It’s quite astonishing—it shows the treatment of Hatshepsut’s images was more ceremonial than hostile.”

A Ritual of Power and Transition

In ancient Egypt, royal statues were seen as vessels of divine presence. Rituals such as the “Opening of the Mouth” were performed to “animate” them, allowing them to act as intermediaries between the gods and the people. But when a statue needed to be removed—say, to make space in a temple—it had to be ritually “de-spiritualized” by breaking key structural points.

This practice neutralized the statue’s power without dishonoring the person it represented. Hundreds of such statues have been found buried at Karnak Temple in Luxor, many similarly “deactivated,” regardless of whether the rulers had been vilified in death.

Though Hatshepsut was clearly subjected to a posthumous “cancelation,” Wong’s findings suggest the process was far more nuanced than once believed.

“The research felt a bit like solving an ancient detective mystery—it was incredibly rewarding to uncover something so tangible,” she says. “People often assume Egyptology is only about discovering tombs and mummies—which is, of course, fascinating—but sometimes the greatest insights come from reinterpreting what’s already been found.”

This new perspective challenges the idea of vengeful erasure and instead opens up a more complex understanding of memory, power, and ritual in ancient Egypt.

Funerary artifacts from the Hellenistic period. Photo: Arkeonews

Road Collapse Uncovers Remarkable Hellenistic-Era Tomb in Cyprus

July 1, 2025

A routine report of road subsidence at the port of Famagusta, in the occupied part of Cyprus, has led to the discovery of a remarkable archaeological treasure beneath the surface.

Hidden under the sunken section of road, archaeologists uncovered a carved underground stone tomb dating back to the Hellenistic period—offering rare insights into Cyprus’s ancient past.

A Glimpse into Hellenistic Famagusta

Nestled near the ruins of ancient Salamis in what is now occupied northern Cyprus, Famagusta (also known as Ammochostos) was once a thriving port city of strategic and cultural importance in the Eastern Mediterranean.

During the Hellenistic period (323–30 BCE), Cyprus came under the control of the Ptolemaic dynasty, and the region flourished as a hub of trade, maritime activity, and classical civilization. Famagusta’s archaeological record suggests the area still harbors layers of undiscovered historical richness.

The discovery occurred on June 21, after the Department of Antiquities and Museums in occupied Cyprus responded to a report of road collapse along the main access route to the port. Preliminary investigations revealed that the subsidence was caused by the collapse of the roof of an ancient subterranean tomb.

A Hellenistic Tomb Revealed

Fragments of gold leaf. Photo: Department of Antiquities and Museums of occupied Cyprus

Excavations began on June 23, unveiling a rock-cut burial chamber with three carved funeral beds. The tomb’s entrance had originally been sealed with large stone blocks, a typical practice of the time.

Experts have dated the tomb to the Hellenistic period based on its architecture and the artifacts found inside. Among the most notable discoveries:

  • Terracotta cups

  • A lagynos (a wine vessel)

  • Perfume containers (unguentaria)

  • Glass flasks

  • Bronze coins and pins

  • Fragments of gold leaf

Human skeletal remains were also found within the tomb, offering further clues about ancient burial customs.

Cultural Significance and Preservation

According to Emine Emel Ziba, head of the Department of Antiquities and Museums in occupied Cyprus, conservation and documentation of the finds will begin immediately before they are transferred to local museum exhibitions.

The site is now under strict security provided by the Port Authority of occupied Famagusta, ensuring the safety of both the archaeological team and the cultural heritage uncovered.

This discovery promises to shed new light on funerary practices and the material culture of ancient Cyprus during a time when Hellenistic influence was at its peak in the region.

How the Sahara Desert Feeds the Amazon Rainforest—and Reminds Us of a Greener Past

July 1, 2025

At first glance, the Sahara Desert and the Amazon Rainforest couldn’t be more different. One is the world’s largest hot desert—dry, sun-scorched, and vast. The other is the planet’s largest tropical rainforest—humid, dense, and teeming with life. Yet, in a remarkable twist of planetary interconnectedness, the survival of the Amazon depends on the Sahara.

A Dusty Lifeline Across the Atlantic

Each year, powerful winds sweep across North Africa, lifting millions of tons of dust from the Sahara and carrying it across the Atlantic Ocean to South America. Much of this dust originates from the Bodélé Depression, an ancient lake bed in Chad that is rich in nutrients—especially phosphorus, an essential element for plant growth.

When this mineral-rich dust settles over the Amazon, it replenishes the rainforest’s nutrient-poor soil, sustaining its lush vegetation and extraordinary biodiversity. Without this annual delivery of Saharan dust, the Amazon would struggle to maintain its ecological balance.

It’s an awe-inspiring example of Earth’s systems in harmony: a barren desert helping fuel one of the most biologically diverse regions on Earth.

When the Sahara Was Green

But the story doesn’t end there. The Sahara hasn’t always been a vast sea of sand. Just 6,000 years ago, during what scientists call the African Humid Period, this same region was a lush, green landscape filled with rivers, lakes, and grasslands.

This “Green Sahara” supported an abundance of wildlife—hippos, crocodiles, elephants, and even human communities that hunted, fished, and farmed the fertile terrain. Evidence of this vibrant past is still visible today in ancient rock art, depicting scenes of swimming, dancing, and herding cattle—a far cry from today’s arid silence.

This verdant phase was driven by a natural shift in Earth’s orbit, which increased monsoon rainfall across North Africa. But around 4,000 BCE, the climate shifted again. Rainfall diminished, the land dried out, and over time, the Sahara transformed into the desert we know today.

A Global Web of Connection

The story of the Sahara and the Amazon is more than just a meteorological curiosity—it’s a powerful reminder of how deeply interconnected Earth’s ecosystems truly are. What happens in one part of the world can profoundly affect life thousands of miles away.

It also serves as a reflection on change. Just as the Sahara transformed from green paradise to desert, the Amazon faces pressures from deforestation and climate change that could alter its future. Understanding these long-range connections and Earth’s dynamic past is key to protecting the fragile balance of today’s environment.

From Sand to Soil, a Story of Survival

Every grain of dust drifting from the Sahara to the Amazon tells a story millions of years in the making. It speaks of ancient lakes, shifting climates, and the invisible threads that bind ecosystems together.

In the end, the world’s largest rainforest owes its vitality to the world’s largest desert—a stunning testament to Earth’s endless capacity for surprise, connection, and renewal.

How 1,280 Ancestors Nearly Disappeared 800,000 Years Ago

July 1, 2025

A groundbreaking DNA study has revealed a startling chapter in the story of human evolution: approximately 800,000 years ago, our ancestors teetered on the brink of extinction. According to genetic evidence, early human populations dwindled to as few as 1,280 individuals, marking a dramatic population bottleneck that lasted for nearly 117,000 years.

This astonishing discovery sheds new light on the fragility of our species' origins—and the resilience that allowed us to survive and thrive against all odds.

A Close Brush with Extinction

Using advanced computational models to analyze genetic data from modern populations, researchers identified a sharp decline in ancestral human numbers during the mid-Pleistocene epoch. The reason? Scientists suspect drastic climate change played a major role.

During this period, Earth experienced a significant cooling trend, causing glaciations and altering global ecosystems. These environmental upheavals may have reduced food sources, fragmented habitats, and created harsh survival conditions for early humans, leading to a catastrophic drop in population size.

Just 1,280 Survivors

The study estimates that humanity’s ancestral population hovered at around 1,280 breeding individuals for over 100,000 years. In evolutionary terms, this is considered an extremely small gene pool—so small, in fact, that it threatened our long-term survival.

Yet from this tiny remnant, the human species eventually recovered. These few thousand individuals were the genetic founders of all modern humans. Our collective ancestry—every culture, every civilization, every person alive today—traces back to them.

Echoes in Our DNA

This bottleneck left a genetic signature that researchers can still detect today. It also helps explain some puzzling gaps in the fossil record, as the population collapse may have contributed to the disappearance of ancient hominin species and cultural transitions during that era.

More importantly, it emphasizes the critical role that climate and environment have played in shaping human evolution. It serves as a stark reminder of how vulnerable even the most adaptable species can be in the face of global ecological shifts.

A Legacy of Survival

The survival of our species through this evolutionary bottleneck is a testament to human adaptability, cooperation, and endurance. Against formidable odds, our ancestors navigated a period of intense adversity—and laid the genetic foundation for every human being alive today.

As modern climate change increasingly affects ecosystems and species around the world, this ancient story of near-extinction resonates more than ever. Understanding our past may be the key to securing our future.

Pompeii’s 2,000-Year-Old ‘Perfume Garden’ Reblooms After Stunning Restoration

July 1, 2025

In a vivid revival of ancient beauty, archaeologists have restored a once-forgotten garden in the ruins of Pompeii—a space believed to have once belonged to a perfumer. Now flourishing with thousands of roses, violets, cherry trees, vines, and other aromatic plants, the so-called Garden of Hercules offers a fragrant glimpse into the botanical artistry of the ancient Roman world.

The restored garden, located within the ruins of a house thought to be linked to perfume production, reflects discoveries first made in the 1950s by botanist Wilhelmina Jashemski. Her pioneering work in identifying pollen, spores, and plant remains helped confirm that Pompeii was not just a city of stone, but one rich in cultivated green spaces.

“Pompeii was full of gardens, and they are key to understanding the daily life of the city,” says Gabriel Zuchtriegel, director of the Archaeological Park of Pompeii, in a statement to The Times (UK).

A Scented Glimpse Into the Past

Named after a statue of the mythological hero Hercules found at the site, the Garden of Hercules dates back to the 3rd century B.C.E. Archaeologists believe it may have been part of a small perfumery. Previous excavations uncovered tiny glass and terracotta vessels likely used to store floral ointments and fragrances.

Though modest in size—less than 1,000 square feet—the garden boasts remarkable features. Researchers uncovered the remains of ancient trellises, traces of olive trees, and a sophisticated irrigation system. Water was channeled into the garden through a hole in the wall, likely poured by enslaved workers from outside. Channels directed the water to planting beds, while large buried clay jars, or dolia, stored extra water for later use.

“If a plant needed more water, gardeners could draw it directly from the dolia,” explains garden historian Maurizio Bartolini, who oversaw the restoration.

Perfume and Daily Life in Ancient Pompeii

Bartolini believes the garden’s owner may have cultivated flowers to experiment with fragrances. While the space was likely too small for large-scale perfume production—requiring up to 2,000 roses for just a teaspoon of essence—it might have served as a test garden for scent creation.

“The perfume wouldn’t have lasted long,” Bartolini notes. “The scent faded quickly, so you had to wear it within a week.”

This restored garden is part of a broader effort to present Pompeii not just as a city frozen in volcanic ash, but as a vibrant community with orchards, vineyards, and perfumed courtyards. Over 400 orchards and vegetable gardens have been identified in Pompeii, with signs of agricultural activity found in preserved furrows, roots, seeds, and irrigation systems.

Today, visitors can stroll through the reborn Garden of Hercules beneath shaded alcoves, surrounded by the colors and scents of ancient flora. It’s a rare opportunity to experience the sensual, fragrant world that once thrived in the shadow of Mount Vesuvius.

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