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2000 Year Old Bible Revealed Lost Chapter With TERRIFYING Knowledge About The Human Race

February 3, 2024

Embark on a riveting journey into the forbidden realms of ancient knowledge with the revelation of a lost chapter from the 2000-year-old Bible, known as the Book of Enoch. This extraordinary text, steeped in controversy, has fascinated scholars for centuries, unveiling a tapestry of sensuous fallen angels, towering giants, enigmatic cosmology, and earth-shattering revelations that defy conventional understanding.

Despite chronicling events predating the birth of Jesus, the Book of Enoch finds no place in today's canonical Bible, and its divine inspiration remains a subject of spirited debate among scholars. Discovered in Abyssinia, Ethiopia, in 1773, this arcane manuscript has found sanctuary within the scriptures of the Ethiopian Christian sect, preserving its chilling contents for those daring to explore its depths.

Containing a repository of knowledge that has been described as nothing short of terrifying, the Book of Enoch offers ominous predictions that are bound to send shivers down the spine of any seeker of ancient wisdom. What other cryptic secrets lie concealed within its pages? Join us as we unravel the mysteries of this 2000-year-old Bible, exposing a lost chapter that unveils TERRIFYING insights into the very fabric of the human race.

The Book of Enoch, also known as the Ethiopic Book of Enoch's pseudepigraphical work, stands as an Old Testament testament to events predating the advent of Jesus. The original manuscript mysteriously vanished by the end of the fourth century, only to resurface dramatically in 1773 in the ancient lands of Ethiopia. Embraced by the Christian sect in Abyssinia, this book serves as a sacred reference, enriching their spiritual practices.

The survival of the Book of Enoch was further ensured by the fascination of heretical Christian groups, such as the Manichaeans, who blended elements from Iranian, Greek, Chaldean, and Egyptian traditions. This convergence of diverse influences played a crucial role in preserving the ancient wisdom embedded within the pages of this enigmatic text.

Prepare yourself for an exploration beyond the bounds of conventional understanding as we delve into the 2000-year-old Bible, uncovering a lost chapter that promises TERRIFYING revelations about the essence of the human race.

Portraits of Alexander and a Youth (Hephaestion?)

Caroline Cervera (CC BY-NC-SA)

Is There Any Credible Evidence Linking Alexander and Hephaestion Romantically or Sexually?

February 3, 2024

BY DIMOSTHENIS VASILOUDIS


What was the nature of the relationship between Alexander the Great and Hephaestion?

The question of Alexander the Great's sexuality has intrigued historians, scholars, and the public alike for centuries. As one of history's most renowned figures, Alexander's military genius, conquests, and early death have been extensively documented. Yet, the intimate details of his personal life, especially his sexual orientation, remain shrouded in mystery and subject to interpretation. This article seeks to explore the historical sources and scholarly perspectives on Alexander's relationships, particularly with Hephaestion, and the broader implications for understanding ancient sexuality.

Ancient Insights and Interpretations

Alexander the Great, the King of Macedon, who created an empire stretching from Greece to India, lived in a world with very different concepts of sexuality compared to modern times. Ancient sources, including the works of Arrian, Plutarch, Curtius Rufus, and Diodorus Siculus, offer glimpses into Alexander's personal life, emphasizing his deep bond with Hephaestion, often described as his closest friend and confidant. Plutarch, writing four centuries after Alexander's death, portrays a relationship characterized by profound loyalty and affection. The nature of their bond has led some to speculate about its romantic and sexual dimensions, suggesting that Hephaestion might have been Alexander's lover.

However, it is crucial to approach these interpretations with caution. Ancient texts do not discuss sexuality in terms familiar to contemporary society. Instead, relationships that might now be labeled as homosexual were part of broader social and cultural practices, such as the Greek institution of pederasty, which combined mentorship with physical affection.

Scholarly Perspectives

Scholars remain divided over the exact nature of Alexander's relationships with men like Hephaestion. Robin Lane Fox, a prominent historian, offers a nuanced view of Alexander's life, suggesting that while his relationships were intimate, the exact nature of these bonds is difficult to ascertain from the historical record. James Davidson, another historian, echoes this sentiment, highlighting the anachronistic danger of applying modern sexual identities to ancient figures.

The debate over Alexander's sexuality underscores a significant methodological challenge in historical scholarship: interpreting ancient sources through a contemporary lens can lead to misunderstandings of the past. The cultural, social, and political contexts of Alexander's time were vastly different from today, making it problematic to directly apply modern concepts of sexuality to his life.

Alexander the Great (seated) and Hephaestion, in Oliver Stone's 2004 film Alexander

The Story of Alexander the Great and Bagoas

The story of Alexander the Great's relationship with Bagoas, a young Persian eunuch who became a favorite of Alexander after the conquest of Persia, and the kiss that Alexander supposedly shared with him in public, is indeed primarily sourced from the works of Quintus Curtius Rufus and Athenaeus. These ancient authors offer some of the few explicit mentions of Alexander's interactions with Bagoas that suggest a degree of intimacy, which has led to much speculation about the nature of their relationship.

Curtius Rufus, writing in the first century AD, provides a detailed history of Alexander's campaigns. His account is considered one of the primary sources for Alexander's life, despite questions about its accuracy and his occasional reliance on rumor and hearsay. Curtius mentions the incident where Alexander, in response to the urging of his soldiers, kissed Bagoas in public. Some people interpret this incident as proof of Alexander's close personal relationships with the males in his group and as evidence of a romantic or sexual relationship.

Athenaeus, writing in the 2nd or 3rd century AD in his work "The Deipnosophists," also refers to Bagoas and his relationship with Alexander. Athenaeus's work is a compilation of literary, historical, and anecdotal information about ancient customs, including the private lives of historical figures. His mention of Bagoas and Alexander supports the narrative of a special relationship between the two, further highlighting the public nature of their bond.

It's important to note that both Curtius Rufus and Athenaeus wrote several centuries after Alexander's death in 323 BC. Their accounts are based on earlier sources, now mostly lost, and their perspectives are influenced by the cultural and social norms of their own times. This temporal distance means that, while their accounts are invaluable for understanding Alexander's era, they must be interpreted with caution.

The story of Alexander and Bagoas is absent from the works of other contemporaneous and near-contemporaneous historians like Arrian and Plutarch, who are often considered more reliable sources for Alexander's military exploits than his personal life. The omission of the story by such authors has led some scholars to question the historical accuracy of the incident or to argue that it reflects more about the mores and interests of Curtius Rufus's and Athenaeus's times than about Alexander's.

Misinterpretations and Reality: Unraveling Ancient Greek Mentorship and Societal Norms

Contemporary authors frequently misrepresent the interpretation of relationships in ancient Greece, which distorts our perception of these historical interactions. Specifically, the ancient practice known as "pederasty," which involved a relationship between an older man and a younger male, has been inaccurately labeled with modern terms like homosexuality and pedophilia. In reality, these relationships were integral to the societal and educational systems of the time, serving as a form of mentorship where the elder, typically in his late twenties to thirties, would guide the youth in moral, physical, and intellectual growth. This mentorship was a vital component of a young man's development into adulthood, focusing on the cultivation of ethical behavior and knowledge rather than on sexual dynamics.

Modern interpretations have often incorrectly applied contemporary views on sexuality to ancient Greek practices, obscuring the true essence of these mentor-mentee relationships. It is essential to understand that while a sexual element might have been present in some instances, it was neither universal nor the central aspect of these bonds. The primary goal was to foster the young individual's character and intellectual abilities as part of their preparation for citizenship. This misunderstanding by contemporary writers has led to an inaccurate portrayal of ancient Greek customs, imposing modern moral frameworks on a distinctly different cultural and societal context.

Additionally, the legal and societal attitudes of ancient Greek city-states such as Athens and Sparta towards homosexual relationships were much more complex and restrictive than often depicted. Despite the acceptance of pederasty within educational and social structures, adult homosexual relations were subject to societal scrutiny and legal constraints aimed at maintaining social cohesion and the traditional family unit. In Athens, overt homosexual relations among adult men could attract serious consequences, while in Sparta, the emphasis on discipline and the camaraderie among soldiers were carefully regulated to align with the state's militaristic objectives. These examples underscore the complexity of ancient Greek social norms and the caution required when applying modern interpretations to historical contexts.

Johann Heinrich Tischbein - Alexander Putting his Seal Ring over Hephaestion's Lips, 1781

Conclusion: Beyond Labels

The fascination with Alexander the Great's sexuality reflects broader questions about the intersection of history, sexuality, and identity. While it is tempting to categorize historical figures based on their relationships, such efforts often overlook the complexity of human emotions and societal norms. Alexander's life, particularly his relationship with Hephaestion, reminds us of the rich tapestry of human connections that transcend simple labels.

Ultimately, Alexander the Great's legacy is defined not by his personal life but by his extraordinary achievements. His conquests reshaped the ancient world, influencing the course of history long after his death. While the speculation about his sexuality offers insight into the human aspect of his legend, it also highlights the enduring mystery surrounding one of history's most enigmatic figures. In exploring Alexander's life, we are reminded of the need to appreciate the past in all its complexity, respecting the nuances of historical contexts and the limitations of our understanding.

In Greece's Historical Period Tags The Archaeologist Editorial Group

Ancient Marvels We Saw Recreated in the Netflix Series "Alexander: The Making of a God"

February 3, 2024

BY DIMOSTHENIS VASILOUDIS


The Netflix series "Alexander: The Making of a God" serves not only as a vivid recount of Alexander the Great's conquests but also as a visual spectacle that brings to life some of the most significant ancient sites across his empire. Through meticulous representation and the latest archaeological findings, viewers are transported to an era of unparalleled historical importance. Let’s delve into the significance and marvels of these ancient sites, as represented in the series.

The AigaE Palace in Macedonia

Image from: Netflix

The ancient site of the Aegae or Aigai Palace, situated in the heart of Macedonia, stands as a testament to the grandeur of ancient Greek civilization. This architectural masterpiece was the royal residence of the Macedonian kings and holds a special place in history as the birthplace of Alexander the Great. The palace's significance extends beyond its historical occupants; it is a marvel of ancient architecture, showcasing intricate designs and sophisticated construction techniques of the era.

Image from: Netflix

Thanks to the relentless efforts of Greek archaeologists and conservators, the Aigae Palace has undergone significant reconstruction in recent years. These endeavors have breathed new life into the site, allowing visitors and scholars alike to appreciate its historical context and architectural brilliance. The reconstruction work is a prime example of how modern technology and traditional techniques can come together to preserve our global heritage.

The City of Babylon

Image from: Netflix

The representation of Babylon in "Alexandros" is nothing short of breathtaking. The ancient city, known for its architectural marvels, is showcased in its full glory, with the Ishtar Gate and the Hanging Gardens taking center stage. Babylon was not only a cultural and economic hub but also a symbol of the Persian Empire's might, especially under Darius III in the 4th century BC.

The Ishtar Gate, adorned with images of dragons and bulls, served as a grand entrance to the city, reflecting the wealth and power of Babylon. The Hanging Gardens, one of the Seven Wonders of the Ancient World, remain shrouded in mystery, with their exact location and construction method still debated among historians. However, their representation in the series captures the imagination, portraying an oasis of lush vegetation suspended in the air.

For Darius III and the Persian Empire, Babylon was a strategic and ceremonial center. Its architectural splendor and economic prosperity showcased the empire's dominance and sophistication. The city's capture by Alexander the Great marked a significant turning point in ancient history, symbolizing the shift of power from the Persians to the Greeks.

Pelusium: The Gateway to Egypt

Image from: Netflix

The scene of Alexander's army outside the walls of Pelusium highlights the city's strategic importance at the Egyptian-Arab border. In 333 BC, Pelusium was not just a wealthy settlement but a crucial military and economic gateway into Egypt. Its capture by Alexander was a calculated move, securing a vital supply route and contributing significantly to his treasury.

The city's wealth, derived from its location on a now-shifted branch of the Nile, was instrumental in supporting Alexander's campaign. Pelusium's surrender marked the beginning of Alexander's conquest of Egypt, paving the way for his eventual coronation as pharaoh in Memphis.

Memphis: Alexander's Coronation as Pharaoh

Image from: Netflix

Memphis, once the capital of ancient Egypt, played a pivotal role in Alexander's journey. The series captures the moment of his coronation as pharaoh, an event that solidified his rule over Egypt and marked a significant milestone in his campaign. As pharaoh, Alexander adopted the traditions and customs of the Egyptians, integrating them into his empire and ensuring the loyalty of his Egyptian subjects.

Memphis, once the heart of ancient Egypt, held a position of unparalleled significance throughout much of Egyptian history. Founded around 3100 BC by King Menes, who is credited with uniting Upper and Lower Egypt, Memphis served as the capital of the Old Kingdom and remained an important cultural, religious, and political center for thousands of years. Strategically located at the apex of the Nile River Delta, it was a vital junction between the fertile agricultural lands of the delta and the desert trade routes. Memphis was also the seat of Ptah, the patron god of craftsmen, whose worship underscored the city's role as a hub of art, architecture, and creativity.

Image from: Netflix

As the place where pharaohs were crowned and served as a nexus of administrative and economic activity, Memphis symbolized the political unity and cultural prowess of ancient Egypt. Even after its decline as a political capital, Memphis continued to be revered for its religious significance, housing temples and monuments that attracted pilgrims and scholars. The remnants of this once-thriving metropolis, including the nearby pyramids of Giza and the sprawling necropolis of Saqqara, offer invaluable insights into ancient Egyptian civilization and its enduring legacy.

The Siwa Oasis and the Temple of Amun

Image from: Netflix

The mysterious visit of Alexander to the Siwa Oasis, home to the oracle of Ammon, is a moment of profound significance in the series. This event, shrouded in mystery, signifies Alexander's deep engagement with the divine and the local cultures he encountered. The portrayal of the Siwa Oasis and the Temple of Amun in "Alexandros" captures the mystique and spiritual importance of this site, highlighting Alexander's quest for divine approval and legitimacy.

Image from: Netflix

The significance of the Siwa Oasis and its oracle lies not only in the historical figures it attracted but also in the profound influence it held over the Greco-Roman world. Believed to be a direct link to the divine, the oracle's pronouncements could shape the destinies of leaders and nations. The oasis itself, a verdant haven in a vast desert, symbolized fertility and life in the midst of barrenness, serving as a focal point for the amalgamation of Egyptian and Greek cultures.

Image from: Netflix

The oracle's affirmation of Alexander as the son of Zeus-Ammon not only solidified his divine status among his followers but also exemplified the deep connections between politics, religion, and power in the ancient world. Today, the ruins of the temple stand as a testament to the enduring fascination with the divine and the lengths to which individuals will go to seek its counsel.

The Discovery in Alexandria

The series concludes with a groundbreaking archaeological discovery in Alexandria, believed to be connected to Alexander's final resting place. The efforts of Greek archaeologist Calliope Limneos-Papakosta and her team, battling against the elements to uncover layers of history, represent the pinnacle of archaeological dedication. The uncovering of an enormous public building and the first roads of Alexandria offers a tantalizing glimpse into the past and the enduring mystery of Alexander's tomb.

Image from: Netflix

"Alexander: The Making of a God" offers viewers more than just a recount of historical events; it provides a window into the past, showcasing the architectural and cultural marvels of Alexander the Great's empire. Through the lens of modern archaeology and reconstruction, the series brings to life the ancient world, allowing us to appreciate the complexities and achievements of one of history's most remarkable figures and the civilizations he touched.

Tags The Archaeologist Editorial Group, Dimosthenis Vasiloudis

5 Mysterious Ancient Tombs with Hidden Secrets

February 2, 2024

In this captivating video, we embark on a journey through the shadows of World War II, delving into the verdant fields owned by Edith Pretty. Within this unassuming landscape lay a pair of mounds that would unlock a profound chapter in history. Intrigued by local folklore and ancient legends, Edith Pretty granted permission to Basil Brown, a self-taught archaeologist, to explore the site. Little did they know that what Brown unearthed in 1938 would astound the world.

As Brown's spade descended into the earth, it encountered the remnants of a grand ship, its timbers long decayed but leaving behind a haunting impression in the sand. This was no ordinary vessel; it was a royal tomb, stretching nearly 90 feet, destined to be the final resting place of an Anglo-Saxon king.

Within this regal sepulcher, a trove of artifacts emerged, challenging our understanding of the era. A delicate lyre hinted at the musical ambiance of ancient mead halls; a sword and shield symbolized power and protection, while a Byzantine silver plate spoke of a world interconnected by trade and diplomacy beyond England's shores.

Among these treasures, the Sutton Hoo purse lid shone brilliantly. Modern historians hail it as "one of the most remarkable creations of the early medieval period." Its intricate gold decorations and finely detailed ornamental features reflect a society rich in artistry and sophistication. The Sutton Hoo Helmet, an iconic headpiece believed to have adorned Anglo-Saxon royalty, accompanies this masterpiece in its residence at the British Museum.

The discovery of the ship burial, coupled with two Anglo-Saxon cemeteries dating back to the 6th or 7th century, unveils a window into a previously perceived 'dark age' lacking historical context. Scholars now assert that the individual interred in the ship was of immense importance, with Redwald, King of the East Angles, emerging as a likely candidate. This suggests that Sutton Hoo was the final resting place of a powerful and influential ruler.

The implications of the Sutton Hoo ship burial are profound, challenging preconceived notions and reshaping our understanding of the early Middle Ages in Europe. Basil Brown's groundbreaking discovery has not only unveiled the richness of Anglo-Saxon activity in Britain during this period but has also forever altered the narrative of history.

12 Most Incredible Archaeological Discoveries That Really Exist

February 2, 2024

In this video, prepare to be astonished as we unveil archaeological discoveries that left even seasoned archaeologists in disbelief. These remarkable findings have the power to evoke a sense of awe and wonder, making us question the boundaries of our understanding of the past. Join us on a journey through history as we explore these incredible artifacts and sites that have the potential to reshape our perspectives on ancient civilizations. By the end of this video, we aim to leave you with the same sense of amazement and curiosity that these astonishing discoveries have evoked in the archaeological community.

The Vivid Artistry of Mari's Palace Frescoes: Unveiling the Investiture of Zimri-Lim

February 2, 2024

BY DIMOSTHENIS VASILOUDIS


The ancient city of Mari, located on the western bank of the Euphrates River in modern-day Syria, has long captivated historians and archaeologists with its rich tapestry of history and culture. Among the city's most remarkable contributions to the world of art are the frescoes from the palace of Mari, with the Investiture of Zimri-Lim standing out as the pinnacle of ancient Mesopotamian artistry. This masterpiece not only showcases the sophisticated art form of the time but also offers a window into the political, religious, and social dynamics of the era.

The Historical Context of Mari and Its Palace

Mari, flourishing during the early to middle Bronze Age, was a strategic hub for trade and communication between the Sumerian cities of southern Mesopotamia and the cultures of the north and west. The palace, believed to have been constructed under the reign of Zimri-Lim (circa 1775 to 1761 BCE), was an architectural marvel of its time, housing more than 300 rooms, including temples, administrative quarters, and royal residences. The discovery of the palace in the early 20th century revealed an astonishing array of frescoes that adorned its walls, among which the Investiture of Zimri-Lim holds a place of preeminence.

Source: Archaeology illustrated

Unveiling the Investiture of Zimri-Lim

The fresco known as the Investiture of Zimri-Lim is a vibrant portrayal of the king's legitimization by the goddess Ishtar, affirming his divine right to rule. This artwork is a testament to the advanced state of Mesopotamian painting techniques, characterized by detailed figural representations, intricate patterns, and a rich palette of colors. The scene captures a moment of divine endorsement, with Ishtar, identified by her winged disc and lion, presenting the rod and ring of kingship to Zimri-Lim. The composition's dynamism and the figures' solemn expressions underscore the ceremony's gravity, reflecting the intertwined nature of politics and religion in Mesopotamian societies.

View fullsize Investiture_of_Zimri-Lim_Louvre_AO19826_n01.jpg
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Artistic Techniques and Symbolism

The frescoes of Mari, including the Investiture of Zimri-Lim, exemplify the era's artistic innovations. Artists employed a fresco technique, applying pigments to wet plaster to achieve durability and vivid colors. This method allowed for the expression of fine details and nuanced shading, which brought the scenes to life. The symbolism in these frescoes extends beyond the literal depiction of divine investiture. The imagery conveys themes of power, protection, and prosperity under Zimri-Lim's reign, with the gods' presence signifying a harmonious relationship between the divine and the earthly realms.

The Interplay of Mesopotamian, Minoan, and Egyptian Fresco Artistry in Ancient Civilizations

The artistry of ancient Mesopotamian frescoes, such as those found in Mari, opens intriguing possibilities for cross-cultural influences and connections with contemporary civilizations, notably the Minoans of Crete and the Egyptians. Scholars have long debated the extent of artistic exchange in the ancient world, and a comparative study of wall frescoes across these cultures reveals fascinating parallels and differences.

The Minoans, renowned for their vivid and dynamic frescoes depicting naturalistic landscapes and marine life, exhibit a love for the natural world and a fluidity of form that contrasts with Mesopotamian art's more formalized and ceremonial depictions. Meanwhile, Egyptian frescoes, with their strict adherence to hierarchical proportions and symbolic representations, share with Mesopotamian art a deep intertwining of the divine with the political, though expressed through distinctly different artistic languages. The hypothetical connections between these civilizations—whether through trade, conquest, or shared cultural touchstones—suggest a rich tapestry of intercultural exchange that influenced their respective art forms. This interchange not only enriched their visual expressions but also facilitated a broader dialogue between these ancient societies, highlighting the interconnectedness of human creativity across time and space.

The Significance of the Investiture Fresco in Ancient Mesopotamian Art

The Investiture of Zimri-Lim is more than an artistic achievement; it is a cultural artifact that offers insights into the social and religious structures of ancient Mesopotamia. The fresco highlights the central role of deities in legitimizing the rule of kings, a common motif in Mesopotamian art. Moreover, it reflects the sophisticated level of artistic expression and technical skill attained by the artists of Mari, contributing significantly to our understanding of ancient Near Eastern art.

The frescoes of Mari's palace, particularly the Investiture of Zimri-Lim, stand as a monumental testament to the artistry and complexity of ancient Mesopotamian civilization. Through the detailed depiction of religious ceremonies, these works of art reveal the deep connection between the divine and monarchic power, serving as a bridge to the past that allows modern audiences to appreciate the rich cultural heritage of Mesopotamia. As we continue to uncover and study these ancient artifacts, the frescoes of Mari remind us of the enduring power of art to convey the deepest aspirations and beliefs of human societies.

In Mesopotamia Tags Dimosthenis Vasiloudis

Ancient Wisdom for the Modern World: Insights from Greek Philosophy with Dr. Cartledge

February 2, 2024

By Richard Marranca


Toolbox of Greek Philosophy: A Conversation with Dr. Paul Cartledge" by Richard Marranca is an in-depth interview exploring various facets of ancient Greek philosophy, including the ideas of the Presocratics, Pythagoras, Plato, Aristotle, and others. It delves into themes like the essence and impact of early Greek philosophical thoughts, the intersection of philosophy with everyday life, and the relevance of ancient wisdom in contemporary society. Dr. Paul Cartledge, a renowned scholar from Cambridge University, shares insights into the philosophical innovations of the ancient Greeks and their enduring legacy in shaping Western thought.


Presocratics and Pythagoras

  • Can we go back to the Presocratics or Milesian philosophers? Are there any ideas or aphorisms that you find to be especially useful to improve our lives?

We can, indeed. At one level, the title is transparent, obvious, and helpful: the earliest of the Presocratics were thinkers, intellectuals, who practiced a version of the Socratic nostrum ‘the unexamined life isn’t worth living for a human being’ avantlalettre, i.e., before the lifetime of Socrates (470–399), although what they chose to examine was not chiefly human behaviour and ethics but natural phenomena, the cosmos. Since it’s generally agreed that Socrates was among the first, if not the first, to qualify for the title ‘philosopher’ properly so called, the anomaly arises that some ‘Presocratics’ were not pre-Socrates but his contemporaries, practicing their intellectual craft or putting forth their ideas during Socrates’ lifetime. However, undoubtedly some of the most interesting and pioneering Presocratics did live and do their thinking well before 470—none more so than Thales of Miletus (in today’s Western Turkey, on the Aegean seaboard), who flourished in the years around 600 BCE.

Later jokes at their expense made them out to be the classic ivory-tower intellectuals: always falling down wells while looking up at the heavens. But actually they were far more than that: their mode of thought represented a huge intellectual leap forward because it postulated that the cosmos and the sublunary world could be accounted for and explained in non-supernatural, non-religious, and above all, non-mythical terms. Hesiod, a poet of central Greece (c. 700), had done the religious bit: accounting for the genealogies of all the divine beings and accounting for how, after the divine, came the human sphere, decisively influenced by the divine, in several stages of decline: from a gold to a silver and then a bronze and, contemporaneously, an iron generation or age. Thales & Co. would have no truck with all that. In order to provide an account (logos) of what they could see before their eyes and experience through their other senses, they postulated a single, underlying causal element—selectively borrowing one (they were monists) of the four known elements—earth, fire, wind, or water. For Thales, it was all water. Not scientists in any sense of that word that we’d want to apply; they were rather physiologists, students of phusis, or the non-human natural world.

Besides Thales and his immediate pupils and followers (Anaximenes and Anaximander, both also of Miletus), three other Presocratics have captured posterity’s imagination. I’ll return to Pythagoras momentarily. The other two have stayed in memory in part because of their memorable utterances or aphorisms. The enigmatic Heraclitus from Ephesus (also on Western Turkey’s Aegean shore) opined or observed: You can’t step into the same river twice. (Some were then inspired to claim you couldn’t do that even once.) In no less philosophical a spirit, channeling Thales, he claimed that ‘everything flows’ or ‘everything is in flux’. Xenophanes, yet another from ancient Ionia (Colophon), has been claimed as the father of natural or naturalistic philosophy, of a decidedly relativistic and ethnographic kind. If lions and horses had hands, he said, so that they could draw pictures of their gods, they’d draw them looking like lions and horses.

In just the same way as the (non-Greek) Thracians (from roughly modern Bulgaria) image their gods and goddesses with red hair and blue eyes—just like themselves. So much likewise, inferred Xenophanes, for the Greeks’ anthropomorphic conception of the divine, which (merely) projects human features and human qualities onto their gods and goddesses. No better than lions or horses, really. Did that make him an atheist? Not necessarily, but he certainly anticipated a very late Presocratic, Protagoras, from Abdera in northern mainland Greece, who, in some of the very few ipsissimaverba of his that have been preserved, asserted that man (the human being as a species) is the measure of all things—of all things that are that they are—and, concerning the nature (rather than the existence) of divine beings, that the subject was obscure and life too short to puzzle it out satisfactorily. Something of a cop-out, perhaps.

  • Pythagoras looms large in Western philosophy but is also mysterious. I recall stories about him being kind to a puppy or releasing fish back into the water. Is this more of a Hindu, Buddhist, or modern mode?

Arguably, there are connections between early Greek philosophy and oriental philosophies, including Buddhism. It’s thought to be not coincidental that the Buddha flourished in the same 6th century BCE as the earliest Presocratics, although direct connections between the Greek world and the Indian subcontinent were not firmly established for another couple of centuries (see below, on Alexander the Great in the East). And there’s a strong case for seeing in some of Pythagoras’s behaviour qualities the mystic or the shaman. What’s undeniable is that this native of the island of Samos emigrated to the Greek West and set himself up in southern Italy, where he attracted disciples rather than pupils, who in turn worshipped him, at least after his death, as a more than merely human being. Most famous for ‘his’ theorem—not in fact his at all; he simply borrowed it—Pythagoras was a profound believer that animals had souls and that it would therefore be wicked and impious to sacrifice and eat them.

Other Greeks, followers of Orpheus, were also vegetarians, but as such, they were a very tiny minority. Allied to his vegetarianism was Pythagoras’ belief in metempsychosis, that is, the transmigration of souls after death, both from one human being to another and from a human being to a non-human being such as a puppy. At the highest intellectual level, beyond that of everyday religion or philosophy, Pythagoras was an ace mathematician, hence ‘his’ theorem. Anticipating Plato, he tried to go beyond the analytical truths of mundane equations and perceive a harmony or music of the spheres, and, further, to push to its limits the explanatory power of number theory. That was very far from releasing captured fish back into the water.

  • Pythagoras began a community that was like a monastery. Is it fair to say that this means that to live a philosophical life, it’s a good idea to spend time in a community or visit one? How do we deal with modern life—the madding crowd?

I think by ‘community’ here you must mean something quite different from the ‘community'—or’ society—about which Aristotle theorized and wrote. Pythagoras’ community I’d prefer to call a ‘’ or indeed a ‘cult’, and a very peculiar (odd) one at that, by anyone’s standards. To take a more normal or normative ancient instance, Aristotle’s ideal-typical ancient Greek community, the polis, was by our modern standards teeny-tiny (often a few hundreds, rarely several thousands of citizens) and, so far as developed countries go, remarkably un-diverse culturally speaking. And yet such is the—what shall we call it?—moderateness, sobriety, and sheer good sense of his ethical recommendations that they still speak to many of us to this day, providing us with genuine life lessons.

  • Robert Oppenheimer has recently been all over the news with the release of his biopic. He loved the Bhagavad Gita and other classics, such as Plato’s Theaetetus. Can you tell us about this dialogue and about Plato?

Plato presented his philosophy through the medium of invented dialogues, tried out first of all on his pupils at his Athens Academy of Higher Learning (founded in the 380s), later published on papyrus as finished works, many of which are also considered masterpieces of prose literature. They exemplify the so-called ‘Socratic’ Q&A method of inquiry, so named because Plato’s mentor Socrates (who never wrote a word) is featured in almost all of his dialogues as the principal interlocutor. It must be emphasized that these dialogues are not transcripts but Platonic creations or fictions. The ‘Socrates’ character is very much Plato’s version of him. Plato lived to a very great age, and the dialogues were published over some three decades; the Theaetetus, named for one of Socrates’ two principal discussants here, is thought to fall towards the end of that period.

Like most of the earliest, this dialogue focuses on a single definitional question, a matter of epistemology: what is knowledge? ‘Theaetetus’ has three goes at trying to define it; none of them satisfies ‘Socrates’. The aporetic (no decisive answer reached) discussion then turns to another, related question: what is it/what counts as ‘to give an account’, to construct a logos (literally ‘word’, by extension speech, reasoning, account) of any complex concept? All three explanations or justifications offered are deemed to fail, leading once again to aporia (literally no way forward or through, though discovering that to be the case a reading of can of course be a positive gain). Plato’s Theaetetus was, in real life, a brilliant mathematician. Presumably what Oppy, a super-brilliant physicist, found appealing about the dialogue were the processes involved in ground-level philosophizing about foundational concepts such as knowledge and giving an account.

  • So, is it fair to say that these great philosophers, Plato and Aristotle, offered self-help—that is, that they were therapeutic?

Much of Plato’s philosophy had to do with individual ethics, right and wrong, justice and injustice, and goodness, which for him required an ultra-high level of intellectual capacity. His most famous pupil, Aristotle, cast his intellectual net far wider, though he too wrote memorably on ethics, especially on the ethics of friendship, but for him, the social-political context of behavior mattered as much as did personal probity (see further below).But the two most influential ancient Greek philosophical systems that majored in therapy for the soul were Stoicism and Epicureanism. They were both founded in Aristotle’s lifetime, in the second half of the 4th century BCE, respectively, by Zeno, a mixed-ethnic Greek from Cyprus, and Epicurus, born of Athenian parentage on the island of Samos.

  • I’d like to return to the theme of community. Most of us are worried about this today—that we are losing community and even friends. Individuals, families, societies—everything is changing, and people are on the go. Can the Greeks help us here?

One particular Greek may be particularly able to help us here, though with one rather huge preliminary proviso: the ancient Greek community (society, polity) was not ours; the Greeks did things very differently from us: they held slaves, on whom they depended, and did so mostly without any moral qualms whatsoever; they conceived and treated adult women, even if legally free persons, as of at best second-class status; and they, most of them, regarded all non-Greeks as by definition in principle inferior—culturally. That said, the virtue-ethical system of Aristotle is still considered by many experts today to have current pragmatic as well as theoretical value. Three Aristotelian treatises of ethical, or rather moral-political, philosophy have survived, of which the Nicomachean Ethics is overall by far the most superior work.

For Aristotle, community—living the good life within a totalizing societal framework—was all in all. What the Greeks called a polis—whence our ‘politics’, 'polity', etc.—was far more than merely a constitutional, political framework of self-governance. Rather, it was the framework—and the only possible framework—within which human beings could most and best flourish, that is, live the truly good life, as that was defined by Aristotle. It is far too often said that Aristotle coined the phrase ‘political animals’. What he actually did was define human beings as living creatures designed by their nature to realise their full potential within and only within the polis framework. Being socially conventional, he thought that that definition applied more particularly to the males of the species, especially adult free politically enfranchised Greek males, and did not apply at all to human persons whom he designated naturally ‘slav’, that is, lacking unalterably from birth the capacity of logical reasoning. Aristotle’s eudaimonia is often under-translated as ‘happiness’ but better interpreted as faring well, that is, living a life wholly in accordance with the virtue-ethics set out in the first seven ‘books’, all premised on two notions, one epistemological and the other pragmatic.

On the other hand, particular philosophers did indeed establish ‘communities’ of their followers, and although their schools were located in public, often religious spaces, and some (oral and written) lessons were made available to a wide public, it clearly was crucial for there to be a small, even intimate circle of pupils around each individual master for their philosophies to be developed before being more widely disseminated. Is any of that helpful for us trying to cope with the madnesses of modern life—AI, social media, bonkers political parties, insane dictators, the threat of nuclear or environmental extinction?? That’s anyone’s guess.

  • Does this call for moderation, the golden mean?

Pragmatically, one should always aim at moderation, at a middle ground between excesses. For instance, it might be right, ok, understandable, or forgivable to be angry in a specific set of circumstances, but one should never be too angry, not angry enough, or angry for the wrong reason and/or with the wrong person(s) and in the wrong circumstances. The case of Homer’s Achilles springs to mind: he was far too angry, with immediately disastrous consequences for the Greek host at Troy. See further below on Aristotle’s ‘happiness’.

  • I think that most people consider happiness to be a feeling, but Aristotle had something else in mind.

Yes, when we’re feeling especially happy, we might even speak of being in a state of euphoria (literally, well-bearing). And you’re right too that, though feelings or emotions do come into Aristotle’s virtue ethics (e.g., anger; see above), being happy for him meant rather attaining a permanent state than experiencing some temporary emotion. In short, being virtuous for Aristotle was essentially a matter of habituation: habituating one’s soul (including mind as well as spirit) to choose the right amount of feeling or emotion in the right situation towards the right person or person, right being the mean between two extremes of emotion or feeling, taking account of one’s own natural propensities—e.g., some are far more easily, more ‘naturally’, roused to anger than others. Their mean will be more emotionally angry than that of less naturally angry persons.

  • Is the word Arete related to your answer? I also recall that Martin Seligman, one of the founders of positive psychology, emphasized the word eudaimonia?

The ancient Greek word that we translate as ‘virtue’ (derived from Latin) is indeed aretê. The four ‘cardinal’ virtues are (roughly) wisdom, prudence (practical wisdom), temperance (self-control), and bravery (courage). Plato, as we’ve seen, privileged the first, Aristotle the second. Both saw a need for the third. But the fourth—bravery or courage—was far more problematic. For a start, the very Greek word for the virtue of bravery or courage was gendered (as indeed is Latin virtus): andreia literally meant ‘manliness’ or ‘masculinity’. Aristotle was therefore typical in believing either or both that women couldn’t be brave at all or that, if considered so, their bravery was of a different, inferior kind from men’s. Calling a woman ‘brave’ in Greek—Clytemnestra, Artemisia of Halicarnassus were so called—was both very rare and somewhat disturbing to a male ear. But both Plato and Aristotle were unusual in questioning at least some aspects of the one application of bravery or courage that all Greeks and all Greek communities practiced, often willy-nilly: war. For example, Aristotle queried the value of a heavily militarized Spartan education that, though it produced above-average warriors, rendered the Spartans in some respects little more than wild beasts.

  • What about those “dogs” or cynics? Can they help us on our quest?

The ancient Greeks were ambivalent about their feelings about dogs. In their foundational works of literature, the two Homeric epics could be found both extreme affection (of Odysseus for his hunting dog Argos) and the derogatory epithet ‘dog-like’. In Greek reality, a Greek princess could be named ‘Puppy’ (Cynisca of Sparta), and a Greek could choose to be buried with his favourite canine pet, yet dogs could also be used as metaphors for conduct deemed utterly inappropriate for civilized human beings, such as copulating and defecating in public. It was in the latter, negative sense, that followers of Diogenes, originally from Sinope on the southern shore of the Black Sea, acquired the label ''Cynics'—doglike.

But for the collective label to have some positive content, adepts had to agree and act on at least some philosophically defensible tenets or principles. One, roughly and crudely put, was ‘back to nature’: playing on a by then (4th century BCE) hackneyed philosophical debate over the merits and demerits of following nature as opposed to culture or convention, Cynics went all out for un-conventional, even anti-social behaviours. The agreed founder, Diogenes (see further next answer below), took his particular antinomianism as far as regularly masturbating in public. Others privileged a disdain for all material goods and practiced various versions of asceticism, literally ‘practised’, since ‘practice’ is exactly what ancient Greek askêsis meant. It wasn’t just a soft lifestyle option, as Epicureanism could be all too easily misconstrued and misrepresented by non-adepts or opponents.

  • Did Diogenes really live in a barrel?

Different versions were given in antiquity. The one I like best was set in Corinth, the headquarters of the Greek anti-Persian alliance that Alexander had inherited from his (assassinated) father Philip II of Macedon. Diogenes was living 'rough' in his home, a large terracotta pot called a pithos. Alexander, an admirer, inquired of Diogenes whether he could be of service to him. Yes, replied the Cynic sage – you’re blocking the sunlight, so move away. Despite such a rebuff, Alexander is said to have commented that, if he could be anything other than Alexander, he’d want to be Diogenes. Believe that…

In 326, having won a great battle at the River Hydaspes (modern Jhelum), but then having had to face down a mutiny, Alexander the Great decided to march his victorious and mutinous troops down the Indus valley towards the river’s mouth before returning west to Iran and eventually Iraq (where he died at Babylon in 323 BCE). Accounts differ: Alexander, a former pupil of Aristotle, either encountered in person Indian philosophers called by the Greeks ‘Gymnosophists’ (literally, stark naked wise men) or he sent off one of his leading commanders, himself a Cynic, to meet with similar Gymnosophists further south. Developed, or embroidered, versions of these encounters, real or alleged, include the classic trope of Greeks posing to Indian ‘barbarians’ questions designed to reveal their ignorance but receiving answers that, on the contrary, demonstrated the latter’s sophisticated wit and wisdom.

Huston Smith, Plotinus and the Ideal of Beauty

  • Years ago, Huston Smith, the author of The World’s Religion, quoted Plotinus: Those that contemplate beauty become beautiful. Can you delve into that?

I can delve, yes, but taking a deep dive is more difficult. Plotinus was an Egyptian Greek (CE 205-270), Alexandrian-educated, and a follower of Plato’s philosophy to such a degree of identification as to be labelled a Neoplatonist. His collected writings, edited by a student, consist of six Enneads, an Ennead being a grouping of nine endogenous Egyptian divinities. Within those writings, at Enneads 1.6 and 5.8.1-2, beauty and ideas of beauty are given centre stage, to the philosophical point even of there being a question whether Plotinus identified the ultimate goal of a good life, ‘the One’, with beauty itself. Regardless, Plotinus starts by drawing a distinction between beauty that is physical and visible, a matter of (mere) appearance, and beauty that is inner, spiritual, and therefore superior—very Platonic. Your Plotinus quotation has it that contemplaters of beauty become beautiful themselves; if by that is meant something like Plotinus’s notion that becoming beautiful is fully identifying ourselves with the beauty within us, then Huston Smith was quoting more or less accurately. But these are deep waters—too deep, I freely admit—to swim in comfortably or enjoyably.

  • What does it all mean? Does philosophy answer things definitively?

What you seem to be asking, or rather presupposing an answer to, is (nothing less than):What’s it all about? What’s the meaning of life? For the ancient Greeks—or rather, I should say for some ancient Greek philosophers—there was no distinction, let alone contradiction, between what Latin-speakers came to call the vita activa and the vita contemplativa. To be virtuous, for Aristotle, my go-to exemplar, it wasn’t enough to be good in the sense of having good psychic habits and dispositions; it was necessary to do good in acts and actions. To be pragmatically and not just in principle virtuous demanded the application of energeia, translating thoughts, desires, and wishes into erga, practical deeds that might have lasting effects.

Materialism—how one should behave virtuously in regard to the possession and use of material goods—is just one relevant conditioning variable. It preoccupied everyone, especially Aristotle, his followers, and the various Stoics. But inner peace was the concern, rather, of the Epicureans. My answer to your question—really, a non-answer—is that a selective reading of varieties of ancient Greek philosophy can suggest how we might go about thinking about how to reconcile those modes, but that there is no Golden Rule already laid down somewhere in those extant writings that we may simply take down off the shelf, dust it off, and apply it in our daily lives.

  • The value of philosophy and the other humanities is immense. But STEM, the vast entertainment culture, the need for practical employment, etc. create vast challenges.

A former university vice chancellor of my acquaintance, a leading immunologist, once said to me that, in his view, a university in which the sciences were considered omnipotent and omnicompetent and the arts and humanities subjects were therefore discredited and derogated was not properly speaking a university at all. Of course, the positive arguments in favour of studying STEM subjects are often unanswerable, both theoretically and pragmatically, both individually and societally. But is that a good or sufficient reason for derogating the arts and humanities subjects, whether at secondary or tertiary levels of education? Of course, as a professor of ancient (Greek and Roman, classical) history, I would say ‘no’, wouldn’t I?

It’s much harder to set out and defend or advocate for persuasively in a very brief compass such as this and the many reasons why. I suppose ultimately I’d go back to that Socratic aphorism about the unexamined life that I discussed earlier and mention it again in my next and final answer. But here I’d want to put it in a slightly different way, appealing to the ancient Greek words for a (legal-sense) ‘judge’ and ‘judgement’. The latter, krisis, when transliterated as 'crisis', usually means something quite other than its original Greek sense or senses, which denoted and connoted a process of judgement or moment of decision, relying on factually accurate evidence, rational argument, poised self-awareness, and other such mental and ethical qualities. One of my many reasons for being glad that all those decades ago I decided to devote my professional life to the study of the ancient Greeks’ civilization and culture is that they—some of them—subjected even their most fundamental institutions and beliefs to the most critical scrutiny imaginable.

Concluding Thoughts

  • Time rolls by, and philosophy is an endless topic, game, and path. It feels like we just got started on the subject. Can you finish with any idea, person, aphorism, or practice that we missed?

You're, of course, right, but as someone once said somewhere, the beginning is half of the whole. My favourite ancient Greek philosophical aphorism is one I’ve already quoted, as attributed by Plato to Socrates. The original context is not irrelevant or unimportant; it’s from Socrates’ supposed apologia (defense speech) when on trial for his life in 399 for the capital crimes of impiety and treason. ‘The unexamined life is not worth living for a human being’. The last four English words, often omitted, are just one word in the original Greek: Socrates’ point, I believe, was that to be truly human, one must examine one’s way of life, something that only humans can properly do. The word translated as ‘examine’ meant examine forensically, as if metaphorically (as Socrates really in fact was) one was on trial for one’s life.

Socrates, as a citizen of the Athenian democracy, had, I believe, serious flaws, but as a champion of free thought and expression, he was and is a hero of the inner, the intellectual, life.

Tags Richard Marranca

Europe's First Civilization: Unraveling the Mysteries of the Vinča Culture

February 2, 2024

The Vinča culture, emerging over 8,000 years ago during the Neolithic period in Southeastern Europe, represents what many consider to be Europe's first civilization. This civilization, flourishing between 5400 BC and 4500 BC, marked a significant leap in societal development, showcasing advanced farming, metalworking, and potentially the inception of writing, long before the rise of civilizations in Mesopotamia and Egypt.

The Dawn of a New Era in the Balkans

In the fertile lands of the Central Balkans, the Vinča culture emerged as a beacon of Neolithic innovation. Named after a site near Belgrade where it was first discovered, this culture covered a vast portion of the Balkans. The Vinča people, descending from a blend of Anatolian farmers and European hunter-gatherers, established large, densely populated settlements that thrived for centuries. Their society was predominantly agrarian, valuing cattle highly but also venturing into the first known instances of metalworking in Europe. The sophistication of their societal structures suggests they were not just farmers but potentially warriors and traders, underpinning a complex social organization.

Technological Prowess and Cultural Complexity

The technologically advanced Neolithic society of the Vinca culture is what sets it apart. Their settlements were not only large and densely populated but also fortified, indicating a society conscious of defense and possibly engaged in conflicts with neighboring societies. These communities were strategically located near rivers, facilitating trade and access to natural resources. The Vinča people were adept in craft specialization, producing high-quality goods, including unique ritual ceramic figurines that bore intricate details of clothing, jewelry, and masks, hinting at a rich religious life.

A Leap into Metallurgy and Possible Writing

One of the most fascinating aspects of the Vinča culture is their potential development of metalworking and mining, predating the Sumerians' achievements by a millennium. They mined copper ores, laying the groundwork for metallurgy, and produced artifacts that might represent the world's earliest form of writing. This development suggests the Vinča culture could have established a class of metalworkers who wielded significant societal influence.

Symbols, Conflict, and Social Stratification

The symbols used by the Vinča culture, including abstract pictograms and hash marks, are subject to debate regarding their meaning. They could have served for trade, accounting, or ritual purposes. The extensive defenses around their settlements underscore a society prepared for conflict, further separating them from neighboring groups. Artifacts discovered, possibly gaming pieces or ritual items, along with evidence of weapons, indicate a society with clear social stratification and hierarchy.

The End of an Era

Around 4,500 to 4,400 BC, the hallmark lifestyle, pottery, figurines, and settlements of the Vinča culture vanished from the archaeological record. The reasons behind this decline remain a subject of speculation among historians and archaeologists. However, the cultural and technological advancements of the Vinča people undeniably influenced subsequent societies, including those along the Black Sea coast, embedding the Vinča culture as a pivotal chapter in Europe's prehistoric narrative.

In conclusion, the Vinča culture stands as a testament to the ingenuity and complexity of Europe's Neolithic societies. With their advanced agricultural practices, metalworking skills, and the possible inception of writing, the Vinča people laid the groundwork for the future civilizations that would rise across Europe, leaving a lasting legacy that continues to intrigue and inspire scholars and historians today.

In Balkan Region Tags The Archaeologist Editorial Group

Great Pyramid: Lost Technology of the Grand Gallery REVEALED

February 1, 2024

Step into the awe-inspiring world of the Great Pyramid, a monument that stands as an enduring testament to human ingenuity and architectural mastery. For over 4,500 years, this colossal structure has defied the ravages of time, standing tall without crumbling into ruins or posing a threat to human life.

As thousands of tourists eagerly enter each year, their anticipation builds as they traverse the majestic path through the Grand Gallery, the gateway to the King's Chamber—the heart of the Great Pyramid. The gallery's corbelled walls and ceiling, reaching remarkable heights, reflect the grandeur of the ancient world's greatest structure, evoking a sense of wonder and admiration.

Yet, the Grand Gallery, with its majestic features, remains shrouded in mystery, captivating the imagination of those who explore its passageways. It stands as an ancient wonder, often overlooked by visitors who may not question its secrets.

In this video, we embark on a journey to shine a light on the Grand Gallery, uncovering the enigmatic features that make it a mysterious and integral part of the Great Pyramid. We delve into the hidden details, revealing aspects that may have been unnoticed or underappreciated. As we explore the passageways, we also delve into the ideas of an architect who believes he has unraveled the mystery, shedding new light on the purpose and function of this remarkable architectural feature.

Join us in this captivating exploration as we discuss the role of the Grand Gallery in the construction of the Great Pyramid of Egypt, revealing the intricacies that contribute to the enduring mystique of this ancient wonder.

Aldeigjuborg: The Lost Viking City near Europe's Largest Lake

February 1, 2024

Welcome to this exploration into the intriguing history of Aldeigjuborg, a significant settlement nestled between the Republic of Karelia and Leningrad Oblast.

Our focus will be on the vast Lake Ladoga, which holds the title of being the largest lake on the European continent. While it goes by the name Lake Ladoga today, the Germans once referred to it as "Aldoga," and the Vikings knew it as Aldeigja.

Join us as we uncover the rich historical tapestry of this region, particularly delving into its role as a thriving trade and crafts settlement during the illustrious Viking Age. Together, we'll navigate the waters of time to unravel the tales woven into the fabric of Aldeigjuborg and the shores of Lake Ladoga.

Sunken City of Helike: The Hunt for the Real Atlantis

February 1, 2024

Embark on a journey through time as we unravel the mysterious disappearance of the Greek city of Helike in 373 BC. Recent archaeological discoveries have led experts to believe that they may have finally located the ruins of this long-lost metropolis. Through the lens of cutting-edge CGI technology, we will delve into the recreation of Helike's final moments, shedding light on the events that led to its enigmatic vanishing act. But the intrigue doesn't end there – join us as we explore the compelling connections between Helike and the mythical lost land of Atlantis, adding an extra layer of fascination to this captivating historical puzzle.

12 Most Mysterious And Unexplained Archaeological Finds

February 1, 2024

Delving into the remnants of our ancient predecessors often unveils a tapestry of enigma and intrigue. While archaeologists adeptly decipher some of the artifacts left behind by these early civilizations, there remains a subset that eludes easy explanation. In this video, our attention is drawn to the captivating realm of the unexplainable – those artifacts and mysteries so intricately woven into the past that they teeter on the edge of the inexplicable. Join us as we unravel the threads of ancient enigmas that continue to defy conventional understanding.

This 2,000-Year-Old Chinese Woman Is the World’s Most Immaculately Preserved Mummy

February 1, 2024

At some point in your life, you've probably wanted to have a time machine. It would be nice to be able to go back in time, see the dinosaurs with your own eyes, watch the construction of the famous pyramids and go for a ride in the first car in the world.

Unfortunately, for now, technology does not allow us to experience time travel. But don't worry, because today we have the opportunity to look at the world as it was thousands or even millions of years ago. Just go to a museum! In some places on our planet there are amazing exhibits, which, despite their age, are almost perfectly preserved. We are gonna show you some of them today.

New NETFLIX Docudrama Questions Alexander the Great's Love Life, Troubling Historians and Viewers

February 1, 2024

The Archaeologist Editorial Group


Were Alexander the Great and Hephaestion Really Lovers, as Shown in Netflix’s Alexander Miniseries Documentary?

The history of Alexander the Great remains a significant and frequently debated topic among historians, primarily due to the diverse range of sources from which his story is derived. These sources, encompassing Greek, Roman, and later accounts, contribute to a complex and often contradictory narrative, rendering any claim to objective historical truth tenuous at best. Such complexities are not just confined to scholarly circles; they have found their way into popular culture as well, most recently through Netflix’s portrayal of Alexander the Great in their documentary series "Alexander the Great: The Making of a God."

In this series, Buck Braithwaite's portrayal of Alexander the Great emphasizes not only his stature as a legendary leader and military tactician but also how deeply personal his relationship with Will Stevens' Hephaestion was. Hephaestion, a general in Alexander’s army, is depicted in the series as potentially more than just a close friend—perhaps even as Alexander’s lover. This portrayal aligns with a broader trend in Netflix's historical series, such as those focusing on Troy and Cleopatra, where historical events and figures are often dramatized or relativized for entertainment purposes.

The speculation about the nature of Alexander and Hephaestion's relationship is not a recent development. Due to the lack of conclusive evidence to categorize their bond, it has been a topic of debate for more than two millennia. Dr. Salima Ikram, a professor at the American University of Cairo, suggests in the Netflix series that Hephaestion was not only Alexander's cherished companion but perhaps his greatest love. Modern historians like Robin Lane Fox, who also served as a historical advisor for Oliver Stone's 2004 film "Alexander," share this viewpoint. In his 1973 book "Alexander the Great," Fox delves into their relationship, emphasizing the depth of their connection.

One of the primary ancient texts that discuss Alexander and Hephaestion's relationship is by Quintus Curtius Rufus, a Roman senator who lived about 400 years after Alexander's death. His work, "The History of Alexander the Great," portrays Hephaestion as the dearest of Alexander's friends, privy to his secrets and counsel in a manner unmatched by others in Alexander's circle. However, the historical distance between Curtius' time and Alexander's era adds another layer of uncertainty to the narrative.

The historical context of the time further complicates the question of their relationship. According to both the Netflix series and various historical sources, same-sex relationships between men were not uncommon in ancient Greece. This cultural backdrop provides a lens through which their relationship might be viewed but does not offer conclusive evidence.

The portrayal of ancient Greek relationships, especially those involving mentorship and education, has often been misconstrued in modern narratives, leading to a distorted view of historical realities. In ancient Greece, the concept of a relationship between an older man and a younger male, commonly referred to as "pederasty," was not inherently sexual or indicative of pedophilia as understood in contemporary terms. Instead, these relationships were deeply embedded in the social fabric as a form of mentorship and intellectual development. The older male, typically in his twenties or thirties, played a crucial role in guiding the younger male, usually in his teens, through various aspects of life, including moral, physical, and intellectual education. This bond was seen as a crucial element in the transition from youth to adulthood, emphasizing the development of virtue and wisdom.

However, over time, many modern writers have retroactively applied current understandings of homosexuality and pedophilia to these historical relationships, thereby misrepresenting the nature of these mentor-mentee bonds. It's crucial to distinguish between the modern conceptions of these terms and their ancient counterparts. While the sexual component did exist in some of these relationships, it was not universally inherent or the primary focus. The emphasis was often on the cultivation of the youth's character and intellect, forming a part of the societal system of nurturing well-rounded citizens. This misinterpretation by modern authors has led to a skewed perception of ancient Greek customs, projecting contemporary values and norms onto a fundamentally different societal structure.

Furthermore, the legal and social frameworks of prominent Greek city-states like Athens and Sparta were quite stringent regarding homosexual relationships, contrary to popular modern beliefs. These laws were primarily focused on preserving social order and the traditional family structure, which were considered vital for the stability of the city-state. In Athens, for instance, while pederasty was accepted as part of the social and educational system, overt homosexual relationships between adult citizens were often frowned upon, and in some cases, could lead to severe repercussions. Similarly, in Sparta, while the rigorous military training and close bonds between soldiers encouraged strong emotional and physical ties, these relationships were regulated within certain boundaries, reflecting the city-state's focus on discipline and military excellence. These nuances highlight the complexity of understanding ancient Greek society and underscore the importance of contextualizing historical practices instead of viewing them through a modern lens.

In the end, the true nature of Alexander the Great's relationship with Hephaestion may remain an enigma. As with many historical figures, the passage of time and the evolution of storytelling traditions can obscure as much as they reveal. While we may never fully unravel the complexities of their bond, the continued interest in Alexander the Great and his life only underscores the enduring allure of his legacy. "Alexander the Great: The Making of a God" on Netflix contributes to this ongoing fascination, inviting viewers to explore the legend of one of history's most iconic figures.

Tags The Archaeologist Editorial Group

Illustration by Dimosthenis Vasiloudis

The Pella Curse Tablet: A Linguistic Window into Ancient Macedonia

February 1, 2024

By Dimosthenis Vasiloudis


The Pella Curse Tablet's Linguistic Clues: Unveiling the Linguistic Identity of Ancient Macedonians

The discovery of the Pella curse tablet in 1986 in the ancient capital of Macedon marked a significant milestone in understanding the linguistic landscape of ancient Macedonia. This lead scroll, inscribed with a curse or magic spell known as 'katadesmos' in Ancient Greek, dates back to the first half of the 4th century BC (circa 375–350 BC). Published in the Hellenic Dialectology Journal in 1993, the tablet provides not just an intriguing glimpse into ancient magic and personal relationships, but also valuable linguistic insights.

The Contents of the Spell

The spell on the tablet, which was most likely written by a woman named Dagina, tells a story of unrequited love and mystical appeal. She seeks to bind her former lover, Dionysophon, ensuring he marries her instead of another woman, Thetima. The spell invokes "Makron and the demons" to ensure that Dionysophon would not marry another unless Dagina herself released him from this enchantment. This personal and desperate appeal to the supernatural offers a rare, intimate view into the lives and beliefs of ordinary people in ancient Macedon.

According to James L. O’Neil from the University of Sydney, the translation of the ancient text is:

''I forbid by writing the ceremony and the marriage of Dionysophon and Thetima, and of all other women, and widows and virgins, but especially Thetima, and I assign them to Makron and the daimones. And whenever I shall unroll and read this again, after digging it up, then Dionysophon may marry, but not before. May he not take any wife but me, and may I and no other woman grow old with Dionysophon. I am your suppliant; pity me. dear daimones, for I am weak and bereft of all friends. But protect me so this does not happen and evil Thetima will perish evilly, [undecipherable] mine, but may I be fortunate and blessed, [undecipherable].''

Present location: Archaeological Museum of Pella

The Dialect of the Tablet

The Pella curse tablet is written in a distinct Doric Greek idiom. Its significance stems from the unique features it presents, distinguishing it from other Doric subdialects like those of Epirote and Locrian. The dialect evident in this tablet and other Doric inscriptions found in Macedonia suggests that the region had its own indigenous Doric Greek dialect. This challenges previous theories that Doric Greek was imported into Macedon, positing instead that it was a native dialect of the region.

The dialect of Northwest Greek used on the tablet is typical of the lower-class people in Pella. This is inferred from the writer's vocabulary and belief in magic. However, it's essential to note that the use of magic was not confined to any specific social class in ancient Greece. Wealthier individuals also used similar practices for various purposes, including love, revenge, or competitive advantages.

Interpretative Challenges

The tablet, however, is not without its linguistic mysteries. Words like "DAGINA" are unattested elsewhere, leading to debates among scholars about their exact meanings or whether they represent misspellings. These linguistic peculiarities highlight the complexities of interpreting ancient texts and understanding the nuances of ancient dialects.

Historical and Linguistic Significance

The Pella curse tablet's primary importance lies in its contribution to the debate about the linguistic nature of the ancient Macedonian language. Scholars like Olivier Masson and James L. O'Neil have argued that the tablet supports the view that Macedonian was a Northwest Greek dialect, specifically Doric. This assertion aligns with the Doric forms observed in the tablet and other Macedonian inscriptions. Moreover, the shift from the native Macedonian dialect to Koine in later inscriptions reflects the evolving linguistic dynamics of the region.

The Pella curse tablet is more than a relic of ancient magic; it is a crucial artifact for understanding the linguistic identity of ancient Macedon. Through its distinctive Doric Greek dialect, it offers compelling evidence that Macedonia was a part of the Northwestern Greek dialectal group. As we delve into these ancient texts, we unravel not just languages but the very essence of the people who spoke them—their beliefs, their social structures, and their daily struggles. The tablet remains a testament to the rich and complex tapestry of ancient Hellenic culture and its enduring legacy in shaping our understanding of the past.

In Greece's Historical Period Tags Dimosthenis Vasiloudis

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Join us as we unravel the fascinating theories presented by Randall Carlson and embark on a journey to uncover the secrets that may explain the lack of historical documentation on ancient humanity. Enjoy the exploration into this captivating realm of knowledge!

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The Origins of the Macedonians: Uncovering the Rise of a Great Ancient Greek Tribe

The history of the Macedonians, a tribe whose influence crescendoed into a force that shaped the ancient world, is as intriguing as it is complex. The animated documentary "Origins of the Macedonians" by Merlin presents a detailed exploration of this journey, from obscure beginnings to global prominence.

Initially, the Macedonians were a peripheral group, evolving from the fringes of the Hellenic world. The region of Macedonia, originally inhabited by early Thracian and Phrygian tribes, was distinct from Mycenaean Greece. The region's mention in Hesiod's "Catalog of Women" highlights this distinction and sets the stage for its distinctive historical trajectory.

During the onset of the Archaic Period, the Macedonians emerged as a distinct tribe. The term 'Macedonian', derived from the ancient Greek adjective 'makednos' (meaning tall), perhaps referred to the Highlanders or tall ones. Herodotus, the 5th-century BCE historian, traces the roots of the Macedonian Kingdom back to the 7th century with the reign of King Perdiccas, a descendant of the Heracleidae dynasty of Argos.

Macedonia's founder, according to some ancient accounts, was Caranus, a descendant of Argive King Temenus. Yet, the Hellenic origins of Macedonians were often debated, with some ancient writers questioning their Greekness.

The Greeks referred to the Macedonians living in the Pindus mountains as Dorians. These connections, including the involvement of the Macedonian Cavalry and the Chalcidians in the Peloponnesian War, are recounted by Herodotus and Thucydides, indicating a close link to Greek culture and politics.

Philosophical and political tensions marked the relationships between Macedonians and Athenians. Prominent figures like Thrasymachus and Demosthenes expressed strong opposition to Macedonian rulers, often questioning their cultural identity.

By the 4th century BCE, the Macedonian aristocracy had begun to favor Attic Greek, leading to the gradual decline of the original Macedonian dialect, a variant of Northwestern Doric Greek. Artifacts like the Pella curse tablet are examples of this linguistic transition.

Historical sources like Titus and Euripides affirm Macedonia's Greek origins. Their participation in exclusive Greek events, like the Olympic Games, further cements their Hellenic identity.

The climax of Macedonian ascendancy came with their victories in the Olympic Games, culminating in their hegemony over the Greek mainland. Alexander the Great's conquest of Persia marked the beginning of the Hellenistic age, spreading Greek culture and language across the known world.

The journey of the Macedonians, from a tribe on the periphery of the Hellenic world to a dominant cultural and political force, is a testament to the dynamic and interconnected nature of ancient civilizations. This documentary by Merlin illuminates the multifaceted identity of the Macedonians, contributing to our understanding of their pivotal role in shaping ancient history.


In this video, we examine the history of the Macedonians and how their contemporaries perceived them. Join us on a journey through time as we explore the intricate tapestry of Macedonian history, shedding light on the perspectives and impressions held by those who shared the same era. Uncover the fascinating story of the Macedonians and gain valuable insights into how they were perceived in the context of their time.

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