How Do Movies Enhance Quick Learning of History?

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BY DIMOSTHENIS VASILOUDIS

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I am a staunch advocate for using historically-themed movies as a viable method of quickly absorbing historical information, gaining an immersive understanding of the eras they portray, and stimulating the imagination.

Firstly, in the realm of rapid historical learning, these movies condense years, even centuries, of events into a palatable 2 to 3 hours of viewing time. They draw on extensive research to construct their narratives, making it possible for viewers to acquire a broad understanding of the major events, key figures, and societal norms of the period in question. Even though these films may not always be 100% accurate, they are often good launching pads for further investigation into the historical periods they depict.

Up: Bonaparte Before the Sphinx (1886) painting by Jean-Léon Gérôme.

Down: Napoleon the movie (2023) Directed by Ridley Scott.

Secondly, historical films provide an invaluable sense of the "vibe" of the times they represent. Unlike textbooks, which typically present history in a more detached, factual manner, films engage audiences in a far more visceral and emotive way. By utilizing elements such as costuming, set design, and dialect, films immerse viewers in the atmosphere of the era. They offer a tangible experience of the past that the written word alone cannot convey, thus making historical events feel more relevant and alive.

Moreover, the cinematographic techniques, music, and visuals used in these films can create intense, memorable scenes that anchor historical events in the viewer's memory. For example, Spielberg's "Saving Private Ryan" provides a powerful, visceral sense of the horrors of D-Day that is hard to forget. Such scenes make the past resonate in a way that is more immediate and personal than most traditional historical accounts.

Lastly, and most importantly, historical movies are fertile ground for cultivating imagination. As viewers, we are not just passive recipients of the historical narrative but active participants who imagine ourselves in the shoes of the characters, questioning their decisions, and pondering alternative outcomes. These films invite us to think about how we would act in similar circumstances, sparking our creativity and empathy.

In addition, the speculative elements in historical fiction can further stimulate the imagination. Movies like "Inglourious Basterds" or "The Man in the High Castle," for example, offer alternate histories that invite us to reimagine the world as we know it.

In conclusion, historical movies, with their richly drawn narratives and immersive atmospheres, offer a vibrant and imaginative way to learn about history. They bridge the gap between the past and the present, transforming what might otherwise be seen as dry facts into living, breathing experiences. Thus, while they shouldn't replace thorough historical research or study, they serve as a compelling supplement that fosters a more vivid and imaginative understanding of the past.

The First European Map of Tenochtitlan, 1524: Bridging Two Worlds

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BY THE ARCHAEOLOGIST EDITOR GROUP

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Throughout the annals of history, maps have always played a critical role in revealing the mysteries of the world to mankind. In this context, the first European map of Tenochtitlan, the capital of the Aztec Empire, holds a significant position. This map, drawn in 1524, is a milestone not only in the history of cartography but also in the confluence of two contrasting civilizations: the indigenous peoples of Mesoamerica and the European explorers.

The Fall of Tenochtitlan

In 1521, Hernán Cortés, leading the Spanish conquistadors, succeeded in overthrowing the last emperor of the Aztecs, Cuauhtémoc, marking the fall of the mighty Aztec empire. Tenochtitlan, the empire's sprawling capital located on an island in Lake Texcoco in present-day Mexico City, was virtually decimated. Despite the destruction, the city's elaborate system of canals, temples, causeways, and marketplaces captivated the Spaniards.

The Conquest of Tenochtitlan Painting, 16th century

Crafting the Map

With a desire to document this unique city and its intricate urban layout, a map was commissioned. It was to be a testimony to the magnificence of the fallen city and serve as a valuable resource for the new rulers. The task fell upon an indigenous group of artists and scribes who had formerly worked for the Aztec elites. They were fluent in both the indigenous Nahuatl language and Spanish and skilled in the European and Mesoamerican cartographic traditions.

The map they created was a blend of European and Aztec cartographic styles. On the one hand, it adhered to the European tradition of creating bird’s-eye view cityscapes. On the other hand, it incorporated indigenous symbols and color coding, similar to the pictorial manuscripts known as codices used by the Aztecs to record their history and religious beliefs.

Author Friedrich Peypus

Unveiling the Aztec Capital

The map of Tenochtitlan is a testament to the city's grandeur and the Aztecs' advanced urban planning. The city, divided into four zones, was depicted with its complex network of canals, which served as streets for their canoe traffic. Iconic landmarks like the Templo Mayor, the royal palace, and the bustling marketplace of Tlatelolco were illustrated with careful detail.

Moreover, the map revealed the city's relationship with its environment. Tenochtitlan was surrounded by Lake Texcoco and connected to the mainland by three causeways. These causeways and the aqueduct that brought fresh water from the mainland were carefully depicted.

Tenochtitlan: The Venice of the New World

Tenochtitlan was a large city-state located on an island in Lake Texcoco, in the Valley of Mexico. Founded in 1325, it rapidly grew to become the capital of the expansive Aztec Empire. At its peak, the city had a population of between 200,000 and 250,000 people, making it one of the largest cities in the world at that time.

The city was designed around a ceremonial center, where important political and religious buildings were situated. The most prominent of these was the Templo Mayor, a large pyramid dedicated to the gods Huitzilopochtli and Tlaloc. Surrounding the ceremonial center were four main districts, or 'campan', which were divided into 20 precincts ('calpullis').

A sophisticated system of canals ran through the city, enabling transport by canoe. Large causeways connected Tenochtitlan to the mainland, which was a marvel of engineering at the time. The city was also notable for its public buildings and marketplaces. The largest marketplace was in the nearby city of Tlatelolco, which was eventually absorbed into Tenochtitlan.

Gary Todd from Xinzheng, China - Painting of Tenochtitlan-Tlatelolco on Lake Texcoco

The economy of Tenochtitlan was based on agriculture, trade, and tribute from conquered territories. The Aztecs employed a system of agriculture known as 'chinampas', or floating gardens, which were small, rectangular areas set upon the shallow lake bed. They grew various crops, most notably maize, beans, squash, and chili peppers.

Trade was carried out at a local, regional, and long-distance level, with goods from as far away as Central America and the American Southwest reaching Tenochtitlan. The city's grand marketplaces were filled with goods such as textiles, pottery, food, precious stones and metals, feathers, and other items.

Tenochtitlan was the center of Aztec civilization, which was rich in mythology and religious traditions. Society was stratified, with nobles, priests, warriors, traders, artisans, farmers, and slaves each having their place. The Aztecs had a complex system of education, with separate schools for the nobles (calmecac) and the commoners (telpochcalli).

The ruins of the Templo Mayor were rediscovered in the 20th century, and today they provide an important archaeological site in the heart of Mexico City. The rich history of Tenochtitlan continues to influence modern Mexican culture and is a potent symbol of the country's indigenous heritage.

• Model of the the Ancient Aztec City of Tenochtitlan, Zocalo Square, Plaza de la Constitucion, Mexico City:

Aftermath and Impact

The map was sent to Charles V, the Holy Roman Emperor, in 1524. The map provided Europe with its first visual representation of the New World's urban complexity, shifting perceptions about the so-called "primitive" societies of the Americas. It served as a tool for the Spanish administration to better understand and govern their newly acquired territory.

Yet this map was not merely a practical tool; it became an emblem of conquest, a symbol of European domination over the New World. By asserting European spatial understanding over an indigenous landscape, the map participated in a broader colonial project of control and appropriation.

Nevertheless, the enduring legacy of this map lies in its syncretic character. It serves as a tangible symbol of a moment of profound cultural encounter, blending European and Aztec conventions to create a document that both records and transcends its historical moment.

To this day, the 1524 map of Tenochtitlan continues to fascinate scholars and the general public alike. As a window into a lost world, it speaks volumes about the richness of Aztec civilization and the early days of intercultural contact in the New World.

Forbidden Confucius Quotes Filled With Wisdom That Inspire And Motivate

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