The Role of Pierre Montent in Egyptian Archeology

Pierre Montet was an interesting archaeologist. His excavation is one of the most amazing ones in the history of archaeology because he did it during World War II. There was a war raging around him; north Africa had a war going on, and he was excavating a royal tomb. Very difficult!

Excavation of Montet at Tanis 1940 Pierre Montet

Pierre Montent’s Early Life and Career

Montet started his career in the 1920s in the Levant (Lebanon, Syria), and he discovered many objects with the names of Egyptian kings. And he became interested in these foreign exchanges. So he decided to excavate in Egypt. 

Now where is he going to pick? The Delta. The Hyksos had been there, and now, the Libyans were there. So he goes to the Delta, and he excavates at Tanis. He excavated at Tanis because he wrongly believed that that was the biblical city of Ramses. Because it had all those big statues of Ramses. 

It was a reasonable guess. But they had been brought there from the last dynasty. They had been hauled there by the new dynasty. So he was wrong about that, but his selection of a dig spot was perfect.

Unveiling of Dynasty XXII

In 1939, he excavated at Tanis at the Temple of Amun. And he decides to pick up the paving stones of the temple itself. In other words, temples aren’t just built on mud. You have paving stones. He removes the paving stones, and he finds a tomb, a royal tomb. He enters the room, and he finds that it’s been robbed; it’s been plundered. But there in that tomb are the remains of the burials of the kings of Dynasty XXII. So there are many objects still there, and this is an important source about how we learn about this dynasty.

But the story doesn’t end there. Behind that plundered room was another room, intact. A hidden room. And when he entered, he found inscriptions on the walls that said it was the tomb of King Psusennes. And there was a solid silver coffin. But it wasn’t for Psusennes. It was for this next king that nobody knew anything about, Sheshonq II. 

Without Montet’s excavation, we’d know nothing about this king. But think about it; we have an intact royal burial coffin, solid silver. It has a gold mask inside. There are also little coffinettes. The internal organs were taken out and placed in Canopic jars. Tutankhamun had very special ones. His Canopic containers were little coffins—four of them for the liver, stomach, intestines, and lungs. Sheshonq II had exactly the same thing. Little coffinettes. 

Behind that tomb was another intact tomb. That’s where Montet found the intact burial of Psusennes I, the king. And it didn’t end there. Montet really found four virtually intact burials. When he got to Psusennes’s burial, he had to chip away a granite plug about five feet by five feet. It took him six days before he got into the tomb. They really wanted to prevent robbers from getting in, and they succeeded. 

Golden Temptation

There’s a funny ending to the story! He found this intact burial, and another chamber was still behind it. Now, he’s working pretty much in secret. He doesn’t have guards. There’s a war going on. He doesn’t want anybody to know he found gold and silver. He’s not broadcasting to the news media. Saying, “Come on in and take pictures,” is not like Tutankhamun.

But word gets out, of course. You can’t keep such a thing a secret; he’s got workmen. And who shows up on his excavation? King Farouk of Egypt. King Farouk arrives one day and gets a tour. Montet explains that there’s an intact tomb there, but he’s not ready for it because he’s got to consolidate what he’s got so far. Farouk says, “Open it.” It’s his country. Montet opens it. And it’s another intact tomb of the son of Psusennes, Amenemope. So he’s got another intact tomb. And it didn’t even end there. In 1946, he found still another intact tomb of a general.

So, Montet really supplies us with an awful lot of information about Dynasty XXI and Dynasty XXII. It’s a fantastic treasure that people just don’t know about. Montet only published it in French. You can’t get an English translation of his work. But if you want to see the treasures, go to the Egyptian Museum in Cairo, and on the second floor are these silver coffins, gold masks, and wonderful treasures rivaling Tutankhamun. But hardly anybody knows about them. It’s an amazing discovery.

Common Questions about the Role of Pierre Montent in Egyptian Archeology

Q: Why are most people unaware of Pierre Montent’s excavation?

Pierre Montent, a French archeologist who lived in the 20th century, conducted excavations during World War II. During his excavations, much of his work went unnoticed around the world due to the war; to this day, many don’t know of his great discoveries.

Q: How did Pierre Montent discover the four intact tombs of Dynasty XXII?

During his excavations, Pierre Montent visited Tanis in the Delta. He believed Tanis to be the biblical city of Ramses the Great, which was wrong. However, he decided to examine the paving stones of the temple of Amun, among which he found the four intact tombs of Dynasty XXI and XXII.

Q: Why did Pierre Montent become interested in excavating in Egypt?

Pierre Montent began his work in the Levant, in Lebanon, and found there many objects with the names of Egyptian kings. So he became curious how these objects had been exchanged between Lebanon and Egypt. To find the answer, he carried out the excavations in Egypt.

Archaeologists have unearthed the tomb of an ancient lord, brimming with gold treasures and containing the remains of multiple sacrificial bodies.

Unearthing the Enigmatic Legacy of Panama's Ancient Elite: The Discovery of the Lord of the Flutes

The grave is the ninth tomb excavated by researchers at the El Caño Archaeological Park, which is known for its richness in archaeological discoveries and lavish burial chambers. - Julia Mayo/Fundación El Caño

Panama, a land rich in cultural heritage and historical intrigue, has once again captivated the world with a remarkable archaeological find. In the heart of El Caño Archaeological Park, nestled within the lush landscapes of Coclé province, lies a treasure trove of ancient mysteries waiting to be unraveled. Here, amid the whispers of a bygone era, researchers have unearthed a burial chamber that sheds new light on the enigmatic civilization that once thrived in this region.

Dating back over 1,200 years, this newly discovered tomb unveils the final resting place of a revered figure, known simply as the Lord of the Flutes. Draped in gold and surrounded by a cache of ceremonial artifacts, this ancient leader offers a glimpse into a world steeped in tradition and ritual.

Led by Dr. Julia Mayo, the excavation team from the El Caño Foundation has meticulously pieced together the story of this illustrious individual. Standing at the pinnacle of society, the Lord of the Flutes held sway over his people, guiding them through the ebb and flow of life with wisdom and reverence. Yet, his legacy transcends mere mortal deeds, as his burial chamber serves as a testament to the enduring power of belief and ceremony.

Amidst the golden adornments and sacred relics, lies evidence of a profound spiritual connection that bound the ancient inhabitants of El Caño. Animal bone flutes, intricately crafted pectorals, and ornate jewelry speak to a culture steeped in reverence for the divine. For the Lord of the Flutes was not merely a ruler but a custodian of sacred traditions, entrusted with the solemn duty of bridging the mortal realm with the divine.

Yet, his journey to the afterlife was not a solitary one. As researchers delved deeper into the tomb, they uncovered the remains of his companions, laid to rest in a solemn procession. These sacrificial offerings, buried alongside their esteemed leader, speak to the intricate tapestry of social order and spiritual devotion that defined ancient Panamanian society.

The significance of this discovery extends far beyond the confines of El Caño Archaeological Park. It offers a window into a world where the boundaries between the earthly and the ethereal blur, where gods and mortals walk hand in hand. Through meticulous analysis and scholarly inquiry, researchers strive to unravel the mysteries that lie buried beneath the sands of time, seeking to illuminate the path of those who came before us.

As we stand on the threshold of discovery, let us pay homage to the Lord of the Flutes and his companions, guardians of a legacy that transcends the ages. In their silent repose, they beckon us to explore the depths of our shared humanity, to embrace the richness of our cultural heritage, and to cherish the echoes of a past that whispers secrets yet untold.

4,000-year-old lipstick found in Iran may be the oldest in the world

4,000-Year-Old Lipstick: A Timeless Symbol of Beauty Unearthed in Iran

The carved chlorite vial containing the cosmetic preparation.

University of Padova and ISMEO, Rome

In a groundbreaking archaeological revelation, researchers have unveiled what is believed to be the world's oldest known lipstick—a small, ornate stone vial containing a deep red paste, discovered in southeastern Iran. Dating back to the Bronze Age, this remarkable artifact offers a glimpse into the ancient rituals of beauty and adornment, proving that the allure of a crimson lip knows no bounds across millennia.

The discovery, made possible by the 2001 flooding of the Halil River Valley, has captivated scholars and beauty enthusiasts alike. Carbon-dated between 1936 B.C. and 1687 B.C., the lipstick vial represents a tangible link to a bygone era—a time when civilizations thrived alongside the banks of ancient rivers and the echoes of history reverberated through the ages.

"We hypothesize a lip paint, rather than a solid lipstick because we have no certain idea about the original consistency or fluidity of the cosmetic substance," explained Massimo Vidale, one of the study's lead researchers and a professor of archaeology at the University of Padua in Italy. This revelation underscores the complexities of ancient cosmetic practices, offering insight into the materials and techniques employed by our ancestors in their quest for beauty.

The lipstick vial, crafted from chlorite stone, stands as a testament to the ingenuity and craftsmanship of ancient artisans. Measuring approximately two inches tall by three-quarters of an inch wide, it bears the hallmarks of meticulous handiwork, a testament to the reverence accorded to beauty and adornment in ancient civilizations.

Mineralogical composition of the cosmetic preparation. Enhanced in false colors, red, micro-stratified fragmented sheets of hematite pinacoid forms; pseudo-octahedral crystals of braunite in yellow; fragmented (ground) quartz particles in pink. Rare cubic crystals of galena appear in green.

University of Padova and ISMEO, Rome

But perhaps most striking are the mineral components of the lipstick artifact, which bear a striking resemblance to the recipes of contemporary lipsticks. Hematite, darkened with manganite and braunite, along with traces of galena and anglesite, form the basis of the vibrant red pigment, mixed with vegetal waxes and other organic substances—a composition that mirrors the ingredients found in modern cosmetics.

For Vidale, the discovery holds a deeply personal significance, offering a glimpse into the lives of women and children of ancient civilizations. "I've always felt closely connected to the people and civilizations of ancient Iran," he reflected. "And having a grown-up daughter, I've always been deeply intrigued when I came across material evidence that could be linked to women and children of that age and those cultures."

As we marvel at this ancient artifact, we are reminded of the enduring quest for beauty and self-expression that transcends time and space. From the banks of ancient rivers to the bustling streets of modern cities, the allure of a crimson lip endures—a timeless symbol of femininity, power, and grace.

1,100-Year-Old Sword Unearthed in Oxfordshire River

A Rare Glimpse into Viking History

The 1,100-year-old sword was found in the River Cherwell

(Trevor Penny)

In a remarkable discovery that echoes with the echoes of ancient battles and tales of Norse warriors, a 1,100-year-old Viking sword has emerged from the depths of the River Cherwell in Oxfordshire. Unearthed by a magnet fisherman, the weapon, dating back to between AD 850 and 975, offers a rare glimpse into the tumultuous era of Viking raids and conquests.

The sword, pulled from the river's embrace last year, now rests in the care of the Oxford Museum, a tangible link to a bygone age of seafaring adventurers and fearsome warriors. Trevor Penny, the fortunate individual who stumbled upon this relic of the past, recounted the thrilling moment of discovery, a scene straight out of a Norse saga.

"I was on the side of the bridge and shouted to a friend on the other side of the bridge, 'What is this?'" Penny recalled. "He came running over shouting 'It looks like a sword!'" In that instant, history was brought to life, as the ancient blade emerged from its watery grave to bear witness to the passage of time.

The Viking Age, characterized by raids, exploration, and conquest, saw Norse warriors traverse the seas in search of riches and glory. From the infamous raid on Lindisfarne in 793 to the far-reaching expeditions across Europe, the Vikings left an indelible mark on history, their legacy woven into the fabric of British soil.

But the discovery of the Viking sword is not the only recent revelation to captivate the archaeological community. In Spain, archaeologists unearthed a 2,000-year-old lead projectile inscribed with the name of Julius Caesar—an artifact believed to have been used as propaganda during the general's civil war.

Trevor Penny discovered the 1,100-year-old Viking sword in the River Cherwell last year

(Trevor Penny)

Measuring 4.5 by 2 centimeters and weighing 71 grams, the lead projectile, known as a "glans inscripta," bears the inscription "IPSCA" on one side, likely referring to an unknown Spanish town, and "CAES" on the other, a nod to Caesar himself. This intriguing discovery hints at Indigenous Spanish support for the dictator during his tumultuous reign—a testament to the complexities of political allegiance and propaganda in ancient times.

As these remarkable artifacts continue to capture the imagination of historians and enthusiasts alike, they serve as reminders of the enduring power of the past to shape our understanding of the present. From Viking swords to Roman projectiles, each discovery offers a window into the rich tapestry of human history, inviting us to delve deeper into the mysteries of antiquity and uncover the untold stories of our ancestors.

16 new ancient rock art sites have been uncovered in Jalapão, Brazil

IPHAN identifies 16 new archaeological sites in Tocantins

Remnants are located in Jalapão, the eastern region of the state

Fotos: Rômulo Macedo/Iphan - TO

The archaeology team of the National Institute of Historic and Artistic Heritage (IPHAN) in Tocantins has concluded, in the past month, the identification and cataloging of 16 more archaeological sites in the Jalapão region, located in the east of Tocantins. The area consists of panels with pre-colonial rock art made by human groups approximately two thousand years ago.

"Among the symbols carved and painted on the rocks, human footprints, animal footprints such as deer and wild pig, and figures resembling celestial bodies stand out," explains the archaeologist from IPHAN in Tocantins, Rômulo Macedo. He led the missions carried out between 2022 and 2023 to investigate the existence of new sites in the region.

However, the archaeologist emphasizes that this cultural asset has been threatened by various factors. Wind erosion, vandalism, forest fires, and deforestation are among the main threats to the identified sites. To minimize these impacts, IPHAN has initiated conservation and Heritage Education actions in the region, aiming to protect and promote this Brazilian cultural heritage.

Archaeological heritage of Tocantins

The recent discoveries expand Tocantins' archaeological heritage. The state has great potential for archaeological research, with numerous sites registered by IPHAN. The newly discovered sites now form part of an archaeological complex located in Jalapão. Human occupations in those areas date back up to 12,000 years before the present and formed archaeological sites during the pre-colonial period, until the contact with European colonizers. Structures related to historical archaeology can also be found, significant of the occupation of this contact area between the Amazon Rainforest and those of the Central Brazil, the Cerrado biome.

With the expansion of infrastructure works in the Amazonian states, Tocantins is experiencing a significant increase in archaeological research conducted within the scope of environmental licensing, which has allowed the collection of data on previously unknown archaeological areas. In this context, archaeological activity is carried out by companies involved in salvaging heritage in areas impacted by economic ventures. Two actions are considered priorities: the systematization and socialization of knowledge about the found assets and the integration between archaeological and environmental licensing.

Source: https://www.gov.br/iphan/pt-br/assuntos/no...