The skull of a 14 year-old girl believed to be a victim of cannibalism at the Jamestown colony in the winter of 1609

Uncovering Jamestown's Dark Secret: The Human Face of Desperation

In the quiet, marshy peninsula of 17th-century Jamestown, a tale of survival unraveled into a grim reality that still echoes through the annals of history. Recent forensic findings have unearthed the chilling evidence of cannibalism, shedding light on the harrowing struggles faced by the early English settlers during the infamous "starving time" of 1609-1610.

The skull of a 14 year-old girl believed to be a victim of cannibalism at the Jamestown colony in the winter of 1609. Butchery marks can be seen on forehead.

Meet Jane, not just a name lost to history but a haunting reminder of the lengths humans will go to in times of desperation. At the tender age of 14, Jane became a victim of circumstances beyond her control, her fate entwined with the cruel whims of nature and the harsh realities of colonial life.

The discovery of Jane's remains, meticulously analyzed by a team of dedicated scientists, paints a vivid picture of the desperation that gripped Jamestown during its darkest hours. Led by William Kelso and James Horn, the excavation project unearthed more than just bones; it unearthed a chilling narrative of survival amidst unimaginable hardship.

A forensic facial reconstruction of the 14-year-old victim of cannibalism at Jamestown during the winter of 1609.

PHOTOGRAPH COURTESY DON HURLBERT, SMITHSONIAN; ART BY STUDIOEIS

The forensic examination of Jane's skeletal remains revealed a gruesome tale of cannibalism etched into the very bones of the settlement. Marks of dismemberment, tentative yet purposeful, tell a story of desperation and despair. From shallow cuts across the forehead in a futile attempt to access the brain to the meticulous scraping of flesh from the jawbone, every mark speaks of a community on the brink of collapse.

Douglas Owsley, an expert in physical anthropology, elucidates the grim reality of Jane's fate. The markings on her bones, he explains, reflect not the actions of skilled butchers, but rather the frantic efforts of individuals driven to extreme measures by hunger and deprivation. Jane's story is not one of malice, but of sheer survival in the face of insurmountable odds.

The historical context surrounding Jamestown further illuminates the depths of the settlers' plight. Plagued by droughts, food shortages, and strained relations with the indigenous Powhatan people, the settlers found themselves teetering on the edge of oblivion. The once-promising colony descended into chaos as resources dwindled and hope faded.

Dennis Blanton, director of the Centre for Archaeological Research at the College of William and Mary, paints a stark picture of the "starving time." It was a period defined by desperation, where every meal became a struggle for survival and every day brought the colony closer to the brink of collapse.

But amidst the darkness, there are glimmers of hope. The ongoing efforts of modern-day researchers to unravel the mysteries of Jamestown offer a beacon of light in the shadows of history. Through meticulous analysis and innovative techniques, we honor the memory of Jane and all those who perished in the crucible of colonial America.

As we gaze upon the reconstructed visage of 14-year-old Jane, we are reminded not only of the horrors of the past but also of the resilience of the human spirit. Her face, brought to life through the marvels of modern science, serves as a poignant reminder of the sacrifices made by those who came before us.

Strike marks on the skull (AP / Carolyn Kaster)

In the heart of Jamestown, amidst the ruins of a bygone era, Jane's story endures as a testament to the enduring power of the human will. Though her name may have been lost to history, her legacy lives on in the collective memory of a nation forged in the crucible of adversity.

Source:
nationalgeographic - wired

The Reign of Libyans: How Did King Sheshonq I Unite Egypt?

The Libyans ruled in Bubastis, a town in the Delta. Their first ruler was king Sheshonq I; a poor boy from Libya. He married the right woman, the lady with the royal blood in her veins: the daughter of a Psusennes II. That’s how he managed to become king of Egypt.

A Bubastis portal at Karnak, showing the cartouches of pharaoh Sheshonk I.

Great Chief of the Meshwesh

But how did Sheshonq I get chosen to marry the royal woman? Well, He’s a military man. He is the “Great Chief of the Meshwesh.” The Meshwesh were Libyan mercenaries. They were hired by the Egyptians as a kind of police force. 

The Libyans were a military body. And they had been hired by the Egyptians previously. So this is a military commander who simply takes over and marries the right woman, and becomes king of Egypt. And as the previous dynasty ended with Egypt divided, this Libyan became king of Egypt.

Sheshonq is probably the descendant of the Libyans that Ramses brought back as captives, branded, and now he’s the king of Egypt. He knows Egyptian history. He’s integrated. He thinks back to the time of Sneferu, who was the great pyramid builder, and he’s the one who wanted to keep all the power in his family. So he appointed his son as vizier of Egypt. Other sons are architects of the pyramid, overseers of the works.

The ancient Egyptian god Amun (left) receives offering from pharaoh Shoshenq I (middle) and his son, the High Priest of Amun, Iuput (right). Drawing from a relief on the Bubastite Portal at Karnak, 22nd Dynasty, Third Intermediate Period.

From a Poor Libyan to the King of Egypt

Sheshonq does the same thing. He takes his sons and places them strategically throughout Egypt. Iuput, his first son, is the governor of Upper Egypt, which means he’s the vizier of Southern Egypt. But that’s not his only title. He’s also the high priest of Amun. So he is also covering his religious and economic base with his son. Iuput is also commander-in-chief of the army. 

So this one son is covering three bases. We’ve got religion, with high priests of Amun, and economics also. We’ve got politics, and we’ve got the military. He’s got it all covered with one son. But that’s not his only son.

He’s got another son, Djedptahaufankh, who is a religious person. He’s the Third Prophet of Amun. So he has a religious title, also. Prophet means he’s the third order of priests. Very, very high, by the way. So another son, covering things.

And then there’s a third son, Nimlot, a military kid. Nimlot is put in charge, commander at Herakleopolis. Herakleopolis is a city in middle Egypt. If somebody’s going to give you trouble coming from the south, you’ve got the commander of the army there. So these three sons have Egypt pretty well covered. 


The Achievements of King Sheshonq I

Now, what does he do? He launches military campaigns. He was chief of the Meshwesh; he’s a military man. That’s what he knows how to do best. And he sees the right time for a foreign campaign in 930 B.C. Solomon dies. And he sees that Palestine is ripe for picking. Palestine is now really two kingdoms, Israel and Judah. And one of the kings is dead. 

Sheshonq marches north. Now, roughly, we can reconstruct what happens. He goes to Jerusalem. Surrounds the city. He is going to take it. He’s got his military. Palestine is in disarray. And he’s bought off. They give him the treasures of Jerusalem.

Now, what else does he do besides beat up people? He builds. And he builds on a grand scale. He erects the largest pylon at Karnak Temple. It’s right near the river. What’s most interesting about it is when you go in, you can still see how it was built. It’s unfinished. And as you go into the temple, look on the inside wall, and you will see the remains of a mud-brick ramp still in place that the workmen used to get to the top where they were building the top. 

Bubastite Portal

He also built a gateway, a separate gateway. It’s called the “Bubastite Portal”. And on it, he’s got lists of all the cities he took in the Palestinian campaign, 156 of them. So he’s bragging about his exploits, and he’s doing just fine. 

He was buried at Tanis, but his tomb was robbed, so very little has been found. His son takes over as the next king, Osorkon I. He is going to follow the family pattern of putting your sons in good positions. He makes his son the high priest of Amun in the south. Not only that, he makes his co-regent. But the son never really takes over. He dies before he can become king on his own. And he is succeeded by a king about whom we know hardly anything, except that his name was Takelot.

Common Questions about the Reign of Libyans and King Sheshonq I

Q: How did king Sheshonq I become the king of Egypt?

King Sheshonq I was a military man titled the “Great Chief of the Meshwesh.” His background in the military, along with his marriage to the daughter of Psusennes II, allowed him to become the first Libyan king of Egypt.

Q: How did king Sheshonq I use his sons to stabilize his reign?

Taking lessons from history, King Sheshonq I kept the power within his family. He gave his sons power and titles to stabilize his empire. One of his sons, Iuput, becomes the governor of Upper Egypt, high priest of Amun, and commander-in-chief of the army. His second son, Djedptahaufankh, becomes the third prophet of Amun. His third son, Nimlot, becomes the commander at Herakleopolis.

Q: What are some of king Sheshonq I’s achievements?

King Sheshonq I did a lot during his reign. He ran several military campaigns, one of which helped him gain the treasures of Jerusalem. He also built the largest pylon at Karnak Temple, as well as a gateway called the “Bubastite Portal.”

The Role of Pierre Montent in Egyptian Archeology

Pierre Montet was an interesting archaeologist. His excavation is one of the most amazing ones in the history of archaeology because he did it during World War II. There was a war raging around him; north Africa had a war going on, and he was excavating a royal tomb. Very difficult!

Excavation of Montet at Tanis 1940 Pierre Montet

Pierre Montent’s Early Life and Career

Montet started his career in the 1920s in the Levant (Lebanon, Syria), and he discovered many objects with the names of Egyptian kings. And he became interested in these foreign exchanges. So he decided to excavate in Egypt. 

Now where is he going to pick? The Delta. The Hyksos had been there, and now, the Libyans were there. So he goes to the Delta, and he excavates at Tanis. He excavated at Tanis because he wrongly believed that that was the biblical city of Ramses. Because it had all those big statues of Ramses. 

It was a reasonable guess. But they had been brought there from the last dynasty. They had been hauled there by the new dynasty. So he was wrong about that, but his selection of a dig spot was perfect.

Unveiling of Dynasty XXII

In 1939, he excavated at Tanis at the Temple of Amun. And he decides to pick up the paving stones of the temple itself. In other words, temples aren’t just built on mud. You have paving stones. He removes the paving stones, and he finds a tomb, a royal tomb. He enters the room, and he finds that it’s been robbed; it’s been plundered. But there in that tomb are the remains of the burials of the kings of Dynasty XXII. So there are many objects still there, and this is an important source about how we learn about this dynasty.

But the story doesn’t end there. Behind that plundered room was another room, intact. A hidden room. And when he entered, he found inscriptions on the walls that said it was the tomb of King Psusennes. And there was a solid silver coffin. But it wasn’t for Psusennes. It was for this next king that nobody knew anything about, Sheshonq II. 

Without Montet’s excavation, we’d know nothing about this king. But think about it; we have an intact royal burial coffin, solid silver. It has a gold mask inside. There are also little coffinettes. The internal organs were taken out and placed in Canopic jars. Tutankhamun had very special ones. His Canopic containers were little coffins—four of them for the liver, stomach, intestines, and lungs. Sheshonq II had exactly the same thing. Little coffinettes. 

Behind that tomb was another intact tomb. That’s where Montet found the intact burial of Psusennes I, the king. And it didn’t end there. Montet really found four virtually intact burials. When he got to Psusennes’s burial, he had to chip away a granite plug about five feet by five feet. It took him six days before he got into the tomb. They really wanted to prevent robbers from getting in, and they succeeded. 

Golden Temptation

There’s a funny ending to the story! He found this intact burial, and another chamber was still behind it. Now, he’s working pretty much in secret. He doesn’t have guards. There’s a war going on. He doesn’t want anybody to know he found gold and silver. He’s not broadcasting to the news media. Saying, “Come on in and take pictures,” is not like Tutankhamun.

But word gets out, of course. You can’t keep such a thing a secret; he’s got workmen. And who shows up on his excavation? King Farouk of Egypt. King Farouk arrives one day and gets a tour. Montet explains that there’s an intact tomb there, but he’s not ready for it because he’s got to consolidate what he’s got so far. Farouk says, “Open it.” It’s his country. Montet opens it. And it’s another intact tomb of the son of Psusennes, Amenemope. So he’s got another intact tomb. And it didn’t even end there. In 1946, he found still another intact tomb of a general.

So, Montet really supplies us with an awful lot of information about Dynasty XXI and Dynasty XXII. It’s a fantastic treasure that people just don’t know about. Montet only published it in French. You can’t get an English translation of his work. But if you want to see the treasures, go to the Egyptian Museum in Cairo, and on the second floor are these silver coffins, gold masks, and wonderful treasures rivaling Tutankhamun. But hardly anybody knows about them. It’s an amazing discovery.

Common Questions about the Role of Pierre Montent in Egyptian Archeology

Q: Why are most people unaware of Pierre Montent’s excavation?

Pierre Montent, a French archeologist who lived in the 20th century, conducted excavations during World War II. During his excavations, much of his work went unnoticed around the world due to the war; to this day, many don’t know of his great discoveries.

Q: How did Pierre Montent discover the four intact tombs of Dynasty XXII?

During his excavations, Pierre Montent visited Tanis in the Delta. He believed Tanis to be the biblical city of Ramses the Great, which was wrong. However, he decided to examine the paving stones of the temple of Amun, among which he found the four intact tombs of Dynasty XXI and XXII.

Q: Why did Pierre Montent become interested in excavating in Egypt?

Pierre Montent began his work in the Levant, in Lebanon, and found there many objects with the names of Egyptian kings. So he became curious how these objects had been exchanged between Lebanon and Egypt. To find the answer, he carried out the excavations in Egypt.

Archaeologists have unearthed the tomb of an ancient lord, brimming with gold treasures and containing the remains of multiple sacrificial bodies.

Unearthing the Enigmatic Legacy of Panama's Ancient Elite: The Discovery of the Lord of the Flutes

The grave is the ninth tomb excavated by researchers at the El Caño Archaeological Park, which is known for its richness in archaeological discoveries and lavish burial chambers. - Julia Mayo/Fundación El Caño

Panama, a land rich in cultural heritage and historical intrigue, has once again captivated the world with a remarkable archaeological find. In the heart of El Caño Archaeological Park, nestled within the lush landscapes of Coclé province, lies a treasure trove of ancient mysteries waiting to be unraveled. Here, amid the whispers of a bygone era, researchers have unearthed a burial chamber that sheds new light on the enigmatic civilization that once thrived in this region.

Dating back over 1,200 years, this newly discovered tomb unveils the final resting place of a revered figure, known simply as the Lord of the Flutes. Draped in gold and surrounded by a cache of ceremonial artifacts, this ancient leader offers a glimpse into a world steeped in tradition and ritual.

Led by Dr. Julia Mayo, the excavation team from the El Caño Foundation has meticulously pieced together the story of this illustrious individual. Standing at the pinnacle of society, the Lord of the Flutes held sway over his people, guiding them through the ebb and flow of life with wisdom and reverence. Yet, his legacy transcends mere mortal deeds, as his burial chamber serves as a testament to the enduring power of belief and ceremony.

Amidst the golden adornments and sacred relics, lies evidence of a profound spiritual connection that bound the ancient inhabitants of El Caño. Animal bone flutes, intricately crafted pectorals, and ornate jewelry speak to a culture steeped in reverence for the divine. For the Lord of the Flutes was not merely a ruler but a custodian of sacred traditions, entrusted with the solemn duty of bridging the mortal realm with the divine.

Yet, his journey to the afterlife was not a solitary one. As researchers delved deeper into the tomb, they uncovered the remains of his companions, laid to rest in a solemn procession. These sacrificial offerings, buried alongside their esteemed leader, speak to the intricate tapestry of social order and spiritual devotion that defined ancient Panamanian society.

The significance of this discovery extends far beyond the confines of El Caño Archaeological Park. It offers a window into a world where the boundaries between the earthly and the ethereal blur, where gods and mortals walk hand in hand. Through meticulous analysis and scholarly inquiry, researchers strive to unravel the mysteries that lie buried beneath the sands of time, seeking to illuminate the path of those who came before us.

As we stand on the threshold of discovery, let us pay homage to the Lord of the Flutes and his companions, guardians of a legacy that transcends the ages. In their silent repose, they beckon us to explore the depths of our shared humanity, to embrace the richness of our cultural heritage, and to cherish the echoes of a past that whispers secrets yet untold.